grasp and squish

I have been retraining by looking for different papers and focsuing in on parts. Highlighting and abstracting, rendering and rubbing back. Next year I will be having an exhibition, but I wanted to present a variety of sizes in regards to my works on paper.
There are more but I wanted to save some of them for when you get into the gallery 🙂


grasp and squish
Ink on paper
15x19cm
2017


This corner
Ink on paper
15x19cm
2017


Sideways
Ink on paper
15x19cm
2017


These Hands
Ink on paper
15x19cm
2017

These hands I have drawn before and I will again. These hands have held babies and made international skype calls.

That’s it for today!

Artworks for sale

Hello there – I have a number of artworks that are framed and avalible for sale at Scott Livesey Galleries in Melbourne. I thought I’d put together a post with their details and if you are interested please contact the gallery on T: +61 3 9824 7770 or email at INFO@SCOTTLIVESEYGALLERIES.COM

First up, the landscapes
Haunted – 56 x 76cm, ink on paper, 2017

Waterloo State Forest, View From Back – 105 x 75cm, ink on paper, 2016

In The Gully, 56 x 76cm, ink on paper, 2016

Then – the nudes – these vary in sizes

As yet untitled, 56 x 76cm, ink on paper, 2017

As yet untitled, 56x76cm, ink on paper, 2017

Rebirth, 75 x 105cm, ink on paper, 2017

Ride, 30 x 30cm, ink on paper, 2016

Dancer, 30 x 30cm, ink on paper, 2016

There are more, if you follow this link: Lily Mae Martin at Scott Livesey Galleries

Adelaide Perry Drawing Prize 2017

I am very pleased to say that my drawing Rebirth has been selected as a finalist for the Adelaide Perry Drawing Prize for 2017 in Sydney.

This drawing is a really special one to me, in that I am really really proud of it. So I am super excited it will be showing in this prize.

Thank you to my team of people who have helped me get this ready to be gallery ready! You know who you are and you really make this so special. See, this drawing just made it into the entry – I had just finished it before the deadline and it seems as if it was meant to be. ( Well, there’s lots of work that has gone into all of this so, we made it happen! )

The full list of finalists are on the website which you can see here: Finalists for the 2017 Adelaide Perry Drawing Prize

I’ve just gotten back to work so things will be quite on this here blog because I JUST WANT TO DRAW..

New Drawing – Rebirth and progress pictures

rebirth_lily_mae_martin
Rebirth
By Lily Mae Martin
105 x 75cm
Ink on paper
2016

Rebirth is a meditation on the identity shifts that occur in a woman after the
act of giving birth.

Birth is a physical experience that may be simultaneously extraordinary and
traumatic. Motherhood is central to a traditional understanding of female
identity; at the same time, the physical implications and complications of birth
work in direct opposition to contemporary female beauty standards that play a
role in reinforcing those same social roles and responsibilities.

The woman in this drawing kneels naked, but it is not a pose of submission.
She leans forward as if poised to stand, her hands gripping her thighs. The
face, usually the primary source of emotional expression, is hidden, giving the
naked body space to speak. The woman’s breasts and stomach draw the
viewer’s focus, representations of both sexuality and motherhood and the
complicated relationship between the two. The scarring across her belly,
incurred from a pregnancy injury and usually hidden from sight, recalls
physical distress and trauma, but also speaks to experience, knowledge,
strength and resilience.

Here are some pictures of the work in progress:

one

two

three

four

So this is my final piece for 2016! What a year it has been. I have a whole lot of things planned for 2017 – experiments and a residency and new small works.

Thank you to everyone for your interest and support and sharing my work.

All the best for 2017

LMM xx

Small drawing

dancer_lily_mae_martin
Dancer
By Lily Mae Martin
30 x 30cm
Ink on paper
2016

I’m playing around with scale at the moment, which sounds straight forward but has been surprisingly challenging. Another thing to show me that when I think I know it all, I really don’t know all the much. It’s humbling.
It’s been a lot of fun but some of them I sketch and scribble at and still think no no no, this has to be a larger work. It won’r feel right until I’ve spent several months scratching away at it.

Though I have a fair bit of reference material it’s amazing what I thought would work on a smaller scale doesn’t work at all. Husband said I should aim for less detail to which I did not agree with. ( Though he is probably right because he is objective and far more sensible that I but no no no, not the detail!! )

Ah, I am meant to be vacuuming and feeding my body breakfast but I am already getting tucked into my work.

It’s good to be back.

For any sales please contact Scott Livesey Galleries
909A High Street,
Armadale, Victoria, Australia
e: info@scottliveseygalleries.com
Ph: (03) 9824 7770

Pictures from Drawing, all the time exhibition

datt1 Poet Nathan Curnow

The exhibition opened last week at Ararat Regional Art Gallery, it was a pretty amazing turn out and I felt very overwhelmed and grateful and excited and terrified.. A great cocktail of emotions!

kidletcorner Kidlet’s corner

There’s a hilarious picture a friend took of kidlet standing behind me while I am trying to do an artist talk, she’s placing her purple pony toy on one of my shoulders and if it’s peering up from behind me or just trying to take a seat.

datt2

littleme

Open until the 30th of October.

arag_lily_mae_martin

Thank you to everyone who has seen the exhibition. Special thanks to Anthony Camm who has been very supportive and for giving me this opportunity and thank you to Gene for always, always believing in me and to Anja – my light, my monkey, my chicken, my possum.

xx