5AM period pain and drawing

That title just about sums up my week so far. A lot of the unexpected keeps on happening and my body clock is all out of whack – daylight savings! Title of this post┬ácourtesy of waking up at 5AM in a lot of pain, with the cat jumping on my face and me finding off the drawing above.

I’m working on bigger drawings but needed a little break from them so decided to do a little series like some of D├╝rer’s hand studies. He is a favourite artist of mine, I thought of two things while researching him recently.

1.) In the past it was perfectly acceptable for an artist to draw, etch, paint, sculpt, woodwork etc while these days I feel the pressure to do ONE or the OTHER.

2.) MASTER artist is definitely a word reserved for male artists.

Yesterday I had a very big day in Melbourne looking at a lot of art. I really want to write about that but my thoughts are still formulating also I am running out of time as today is also a big day and then Friday I will DO NOTHING.

 

Hand, study drawing

Hand study 
By Lily Mae Martin
18x25cm
Ink on cotton paper
2018

 

I’ve identified an issue in my approach to drawing so I’ve been working on some little drawings to try and train myself out of it.

It’s super important to me to tweak my technical approach – I want to be better, keep getting better.

I feel I have a tendency to over render, which works with some things but not everything. It’s also taking up time that I could be doing much moer useful things in the works. So this little drawing is a success to me. It’s technically a study as it is a plan for a larger work, but I think it’s still an accomplished drawing in its own right. My plan is to send it down to Melbourne with the other small drawings I have made in a couple of weeks.

Just going to have a look at it again. Proud. Now onto the other work ­čÖé

 

 

Drawings of my Daughter

Kidlet is about to turn eight, I wanted to get together a collection of drawings – and paintings – I have done of her in the last eight years. I have nothing from her first year of life. Just one quick sketch I did in the hospital ( yes, I had my sketchbook at the hospital when I gave birth ) but I can’t find it. No matter – there’s plenty here.

Plaits

Hello, it’s me again. Two in one day. It’s as if I am exploding with the drawing. I can’t stop, I won’t stop. I want to draw so many things but there are many lines and too few hours. Got to prioritize. I did this drawing this evening because it was important. I am so close to finishing a large work but I am also little burnt out from an emotional week. Drawings of my daughter are always a joy and I don’t need to think about anything other than my loves when doing this. That’s the priority.

June drawing times

Well I’ve gotten past my little hissy fit and now back into the making of things. Being too much in my head and not just going with the hands isn’t good for The Practice.

So planning my days and things that need to get done and drawing for many. many hours is my life again. It’s good to be driven, have purpose and enjoy what the process.
Kidlet has been joining me for some drawing sessions too, there is nothing sweeter. So I did get a bit distracted from my Big Drawing to do a Small Drawing of her drawing. ­čśŤ


There’s a bunny in my studio, drawing a cookie-moon

And I’ll finish up with a self portrait – have a good weekend


Self portrait and house plant sketches

New work, Reawaken


Reawaken
By Lily Mae Martin
56 x 76cm
Ink on paper
2018

I’m pretty pleased with this one, a merging of my two loves – the nude figure and the ( Tasmanian ) landscape.

I had these ideas a few months back, spoke to my model who ( bless her ) came over by my rather last minute request. I had frantically sketched out some poses and I am still learning how to direct people. I had been thinking about Poussin’s drawings and have always enjoyed how the figures seemed to drape.
My lecturer at VCA, Berhnard Sachs – had asked me what art I looked at during one of my tutes when I was an undergrad, I think I replied comic books. He then marched me down to the library and got me looking at the drawings of Poussin and others, he talked to me about chiaroscuro. I now look at everything; performance, the written word, the spoken word, photography, abstract, figurative, printmaking and yes, comics and zines. I think it’s importrant to observe as much as possible, outside of what you make, like to make, wish to make.

So here we are years later. I drape my model in a Poussin-type pose and have her balance on a plastic stool I had purchaed from a bargin shop some years back. I think it worked.

Yo, Gustave

19 x 14cm
Ink on paper
Lily Mae Martin
2017

This little drawing is a love letter to Gustave Courbet’s The Origin of the World 1866 painting. I saw it in Paris back in 2009. The lovingly painting plume of pubes really stayed with me.

I have an exhibition with several other artist openings early next year, I will keep you all posted on the finer details closer to the time – I have been very, very busy making new works.

Love to all this silly season, stay hydrated.
LMM

grasp and squish

I have been retraining by looking for different papers and focsuing in on parts. Highlighting and abstracting, rendering and rubbing back. Next year I will be having an exhibition, but I wanted to present a variety of sizes in regards to my works on paper.
There are more but I wanted to save some of them for when you get into the gallery ­čÖé


grasp and squish
Ink on paper
15x19cm
2017


This corner
Ink on paper
15x19cm
2017


Sideways
Ink on paper
15x19cm
2017


These Hands
Ink on paper
15x19cm
2017

These hands I have drawn before and I will again. These hands have held babies and made international skype calls.

That’s it for today!