Piggy Back
By Lily Mae Martin
Ink on paper
105 x 75cm
2016
Tag Archives: feminist drawing
Ritual – new drawing
New, small drawing – Ride
Ride
By Lily Mae Martin
30 x 30cm
Ink on paper
2016
More to come…
For any sales please contact Scott Livesey Galleries
909A High Street,
Armadale, Victoria, Australia
e: info@scottliveseygalleries.com
Ph: (03) 9824 7770
Small drawing
Dancer
By Lily Mae Martin
30 x 30cm
Ink on paper
2016
I’m playing around with scale at the moment, which sounds straight forward but has been surprisingly challenging. Another thing to show me that when I think I know it all, I really don’t know all the much. It’s humbling.
It’s been a lot of fun but some of them I sketch and scribble at and still think no no no, this has to be a larger work. It won’r feel right until I’ve spent several months scratching away at it.
Though I have a fair bit of reference material it’s amazing what I thought would work on a smaller scale doesn’t work at all. Husband said I should aim for less detail to which I did not agree with. ( Though he is probably right because he is objective and far more sensible that I but no no no, not the detail!! )
Ah, I am meant to be vacuuming and feeding my body breakfast but I am already getting tucked into my work.
It’s good to be back.
For any sales please contact Scott Livesey Galleries
909A High Street,
Armadale, Victoria, Australia
e: info@scottliveseygalleries.com
Ph: (03) 9824 7770
Sketches for drawings
Been collecting reference material and making a bunch of sketches and there’s more than this but thought I’d share these as they are pretty exciting and I love drawing forever and ever and ever.
I used a mechanical pencil for this one. I usually H A T E pencil but enjoyed this very much, until I tried to load up a new stick of graphite and it got stuck and then my husband spent some time with it with pliers and fixed it but it’s put me off. Good for sketches though!
Bye!
Seated Nude – New Drawing
Seated Nude
By Lily Mae Martin
105 x 75cm
Ink on paper
2016
It may seem a little haphazard, the way I work. My last finished piece that I posted here was a landscape..
…which took me several months to draw ) but I assure you there is a method to the madness!
Sort of.
Such a relief it was, going back to working on the body. I’m trying to work out ways of combining the two – but I am not quite there yet. Though I have heaps of ideas and I am super excited.
Though I love this drawing –
– my girl in a cave, it was an experiment – I don’t think it quite achieved It. ( Whatever It is, I’m still trying to work that out .. )
This worked –
But I am not sure how to make that a series. That’s ok, I still got some nudes to draw in their negative space and some landscapes without figures to finish and then, hopefully, I have worked out a little bit more in my head and with my hands what it is that I am making.
Still, looking through this post alone with the drawings I have made this year I cannot express to you how excited I am about making the new works and how proud I am of what I have already created. Not meaning to sound up myself or nothing – but if there’s no joy in what you do then what’s the point.
My back aches and the nude is fresh off of the board. Time for a tea and some sleep.
All the drawings
Untitled
By Lily Mae Martin
77 x 57 cm
Ink on paper 2015
( This is the smallest one )
Emerging
112 x 76cm
By Lily Mae Martin
2015
Ink on paper
SOLD
Grappling
105 x 75cm
By Lily Mae Martin
2015
Ink on paper
Untitled
105 x 75cm
By Lily Mae Martin
2015
Ink on paper
SOLD
Untitled
105 x 75cm
By Lily Mae Martin
2015
Ink on paper
I’ve Never Had A Friend Like You
105 x 75cm
By Lily Mae Martin
2015
Ink on paper
Untitled
105 x 75cm
By Lily Mae Martin
2015
Ink on paper
Untitled
105 x 75cm
By Lily Mae Martin
2015
Ink on paper
Untitled
105 x 75cm
By Lily Mae Martin
2015
Ink on paper
Untitled
105 x 75cm
By Lily Mae Martin
2015
Ink on paper
The Longest Winter I Have Known
105 x 75cm
By Lily Mae Martin
2015
Ink on paper
I Am Blood and Bones and A Beating Heart
Artist statement
As an artist, I have always been interested in exploring representations of femininity, femaleness and the female body in my work. One of the primary preoccupations of my work to date has been the internal world of women as communicated by the body. This is in part a response to contemporary representations of femaleness: the female body is ubiquitous, presented visually everywhere, in contexts that range from the crassly commercial to the sacred and divine – and yet these representations, to me, have always felt devoid of the female experience as I know and understand it.
In this series of drawings, I propose to examine and represent aspects of the female physical and emotional experience through the medium of ink on paper.
The composition will isolate full-length portraits of nude women within the negative space of the paper, simultaneously drawing attention to the details of each individual body, (toenails, hair, the cracks and crevices in skin) while the larger scale of the works will allow me to experiment with negative space as well as their imposition on the exhibition space and the viewer’s consciousness. This will involve the further development of my drawing technique, which focuses on rendered and layered line in tension with the white of the paper to create contours, form, light and shade.
The composition will be designed to produce an aesthetic that forces the viewer into discomfort, awareness, and ultimately empathy. To present the body as simultaneously beautiful and ugly, complex, contradictory, aspirational and despairing. The use of nudity allows the body of the subject to become its own canvas, without pretence; its tensions and twists communicating an interior dialogue without words. In this work I am inspired by the emotive power of the documentary drawings of Käthe Kollwitz; the technical skill of Albrecht Dürer; and the intimacy, vulnerability and strength in the portraiture work of photographer Sally Mann.
This project represents an important departure from my previous work, which, while exploring similar themes, has focused primarily on my own experiences, using my own body as a subject. The exploration of another person’s physicality is in many ways more difficult: it is interrogatory; a dialogue must be created between artist and subject, as well as between artist and audience. In this way it will be an important development for my skill as an artist, to communicate a multiplicity of experiences using a simple but timeless medium. Similarly, using models as subjects will open up the possibilities for the piece aesthetically, as it will allow me to have more control over the placement of the form, and more direction of the physical positioning and control over the composition of light and shade for each piece. (LMM, 2016)
For any inquiries/ sale please contact Scott Livesey Galleries
SCOTT LIVESEY GALLERIES
909A HIGH STREET, ARMADALE
VICTORIA, AUSTRALIA, 3143
T: +61 3 9824 7770
F: +61 3 9824 7771
E: INFO@SCOTTLIVESEYGALLERIES.COM