I am very excited that I will be having an exhibition at Ararat Regional Art Gallery from September 15th to October 30th. There will be an artist talk/ opening on Saturday the 17th of September at 1PM.
( Title of post from websites having the Remember Me option. )
The Period is coming. I’ve felt it turning in my guts over the last few days, dragging down my lower back. But I refuse to sit and take stock, I just want to draw, draw, draw. Sunday morning I got up early ( I am not a morning person ) to pack and clean the beach house and just get home. Once home and hangrily making and thus devouring a cheese and pickle toastie ( these details are important ) I marched straight up into my studio and got back to working on the above piece.
I am working between the figurative and the landscape, not sure if I’ll fuse them together or just create two separate bodies of works ( I mean, why not ) and so far I plan to get two more figurative pieces and two more landscapes done before the year is out. ( The landscapes take me months to do… months.. all those lines )
I’m so inspired and proud that my work has gotten into some fine prizes this year, off the back of my first solo show with Scott Livesey Galleries. It has been a productive and rewarding year and we are only just half way through. I’m working super hard and I am just going to keep on going.
I love drawing.
By Lily Mae Martin
105 x 75cm
Ink on paper
It may seem a little haphazard, the way I work. My last finished piece that I posted here was a landscape..
…which took me several months to draw ) but I assure you there is a method to the madness!
Such a relief it was, going back to working on the body. I’m trying to work out ways of combining the two – but I am not quite there yet. Though I have heaps of ideas and I am super excited.
Though I love this drawing –
This worked –
But I am not sure how to make that a series. That’s ok, I still got some nudes to draw in their negative space and some landscapes without figures to finish and then, hopefully, I have worked out a little bit more in my head and with my hands what it is that I am making.
Still, looking through this post alone with the drawings I have made this year I cannot express to you how excited I am about making the new works and how proud I am of what I have already created. Not meaning to sound up myself or nothing – but if there’s no joy in what you do then what’s the point.
My back aches and the nude is fresh off of the board. Time for a tea and some sleep.
This weekend we had a family adventure. We travelled to the Mornington Peninsula Regional Gallery to attend the opening of the National Works on Paper Prize. The exhibition was beautiful, the gallery was welcoming and there were some pretty stand out artists in attendance!!
I am very pleased to say that I am the winner of the Ursula Hoff Institute Emerging Artist Acquisitive Art Award 2016. Kidlet jumped up when my named was announced and hugged me and was so proud – it was a beautiful thing. I am feeling super honoured and pleased and even though I hadn’t slept much because kidelt has been up in the night and we had travelled for hours – I just felt so motivated and excited to get back to drawing. So after the wonderful celebration that was the opening, we went and ate to much Thai and went back to the motel to watch a movie and I drew.
Photo borrowed from the MPRG facebook page.
I sorted out my studio space today – it’s detached from the house and has become the dumping ground for many a box. So, since school has gone back I have taken this opportunity to start clearing and cleaning. ( This sort of activity helps with missing kidlet too! )
I threw away so many memories today. It was time. I’ve been dragging a lot of stuff around for a long time.
Oh, and I found sketch book after sketch book and have rescued what I can. Time to store some things better, I think.
Friday night was the opening and announcement of the winner at the Rick Amor Drawing Prize at the Art Gallery of Ballarat. Peter Wegner took out the prize with his beautiful drawings of a friend who had gone into palliative care.
If you have ever seen anyone at the end of their lives, this work truly captures this time. The line work is delicate – it’s so beautiful and it’s so sad. You should see more of his works on paper at his website here: Peter Wegner works on paper
The Rick Amor Drawing Prize is on until the 2nd of October.
Next week – National Works on Paper at the Mornington Peninsula Regional Gallery and then my kidelt turns 6!
My drawing Crawling has been shortlisted for the Paul Guest Drawing Prize. The exhibition will run from the 27th of August to the 16th of October at the Bendigo Art Gallery. Here is the link to the full list of finalists, there’s some great artists listed : LINK
By Lily Mae Martin
75 x 105cm
Ink on paper
School holidays have been fullllllooooonnnnnn. We traveled almost three hours to get to a birthday party, we danced and ate cake. There’s been drawing and tears and sleep and not much sleep and so much anime and Pokémon. We baked election day gingerbread and did yoga and cuddled in bed on rainy mornings. It’s just at the halfway mark, and I finished a big drawing.
Friday it snowed twice and kidlet had her last day of school for the term. The above photo is from Friday evening – Kira kitty exploring the studio before curling up to sleep. I love her company. When I turn off the lamps and gather my things to leave she uncurls herself, meows at me and follows me down the stairs and back into the warm house.
Saturday morning and it’s freezing. There is ice on the footpaths and roads. I walk very slowly but purposely to the train station, this is not a good morning to not be able to find my only pair of gloves. I sleep on the train for a few hours before making it into Melbourne town. It’s coffee and art time with friends. First up is Author and Finisher at Kozminsky by Nicholas Jones. The gallery is on the second floor and the space and the art is beautiful. There’s so much loveliness to take it, it felt really special to be able to see that. It is quite a sizeable exhibition and we were lucky to have Nicholas there to talk to us about making of particular pieces, the stories behind them and the practical sides of things like printing and framing.
Then I went to the NGV to see the Degas exhibition. Contours feature so strongly in his works, they were so lovely to see up close. I found the famous ballet pieces charming but my favs for me were one off portraits of a peasant woman and a large bather rendered in pastel, and of course – the dead fox in the undergrowth.
Lastly I go to see Becc Ország’s exhibition, Sanctuary, at Nicholas Projects. Beautiful drawings rendered in graphite, with delicate additions of gold leaf.The largest piece in the show really stood out for me, The Source of All Things ( Birth of The Rivers ) – it added a whole new experience to the drawings as a whole. Very dreamlike and making me recall magical places I have visited in my life; coastlines of Italy and Snowdonia in Wales.
Then it was onto collecting things for three little girls who are turning six soon. I stumbled into the haberdasher, l’uccello, in the Nicolas Buidling and it was such a visual treat. What a day.
Here are the links to the galleries and artists mentioned, as well as a review written by Esther Anatolitis on Nicholas Jones’ exhibition. Have a click and get down to see these if you’re in Melbourne CBD soon.