Haunted
By Lily Mae Martin
Ink on paper
56 x 76cm
2017
These drawings – the landscapes – are challenging, but this one almost didn’t happen. It is on the last sheet of cold pressed paper, which I bought way back in 2013. ( 2013 Lily made a number of poor choices. ) The paper is beautiful, but rough as and my pens just get ruined on it far to quickly. But I don’t want to waste things and this one is meant to match up with the gully one ( in size, at least )
The foreground was the easiest, it is quite illustrative ( dare I say ) and was easy to get my head and pen around. However when it came to creating a sense of depth in the image with the middle and backgrounds – I did loose it all at one point. I had the horrible week of trying to fix it, and thinking I may as well have to abandon it after many, many, many weeks of work. Which was really upsetting.
I kept on at it though, got some advice from my Gene and really hammed up the contrast in this image. it is meant to be dark. Dealing with the after affects of death and grief.
I’m working on a brief for these.
In the gully
By Lily Mae Martin
Ink on paper
56 x 76cm
2016
So they can sit either side of the largest one:
Waterloo State Forest, view from the back
Lily Mae Martin
105 x 75cm
Ink on Paper
2016
My proposed idea is:
However there are more coming so this may change for sure. I thought I’d just do these three, but noooo. There’s many more to come and a statement too.