Seated Nude – New Drawing

seated_nude_lily_mae_martin

Seated Nude
By Lily Mae Martin
105 x 75cm
Ink on paper
2016

It may seem a little haphazard, the way I work. My last finished piece that I posted here was a landscape..

WaterlooForestfinal_lily_mae_martin

…which took me several months to draw ) but I assure you there is a method to the madness!
Sort of.

Such a relief it was, going back to working on the body. I’m trying to work out ways of combining the two – but I am not quite there yet. Though I have heaps of ideas and I am super excited.

Though I love this drawing –

under_skin_under_earth_lily_mae_martin
– my girl in a cave, it was an experiment – I don’t think it quite achieved It. ( Whatever It is, I’m still trying to work that out .. )

This worked –

Morning Song, ink on paper, 76 x 56cm , 2016

Morning Song, ink on paper, 76 x 56cm , 2016

But I am not sure how to make that a series. That’s ok, I still got some nudes to draw in their negative space and some landscapes without figures to finish and then, hopefully, I have worked out a little bit more in my head and with my hands what it is that I am making.

Still, looking through this post alone with the drawings I have made this year I cannot express to you how excited I am about making the new works and how proud I am of what I have already created. Not meaning to sound up myself or nothing – but if there’s no joy in what you do then what’s the point.

My back aches and the nude is fresh off of the board. Time for a tea and some sleep.

New drawing – Waterloo State Forest, view from the back

WaterlooForestfinal_lily_mae_martin

Waterloo State Forest, view from the back
Lily Mae Martin
105 x 75cm
Ink on Paper

Waterloo State Forest, view from the back is an exploration of death and grief through the peripheral. Much of my work focuses on the intimate details of the human body, but watching a loved one die can complicate that work. Death is the process of the body shutting down, and documenting that isn’t always possible or right. Waterloo is the documentary of a life passing, and of the lives around it changing, as it is experienced through the landscape: a hushed forest, pitted with mineshafts; the perpetual shifting of light and shadow; the symbiosis of regrowth and decay.

One Hour Drawings

salt_pepper_kitties_lily_mae_martin Grandma’s salt and pepper kitties

Over the last week I have been back in my studio, I begun a drawing that I think will take me about three months to complete. It’s new and something I have wanted to explore for a while, yet wasn’t ready – until now. Also this week I pushed myself back into drawing from life. I have slacked off a bit with that. So I set myself one hour for each of these drawings, and pushed myself to get as much as I could on the page to a timer.

tetris_kitchen_lily_mae_martin Tetris Kitchen

elephant_ear_lily_mae_martin Elephant ears plant

table_stuff_lily_mae_martin Table Stuff

phallic_banana_lily_mae_martin Phallic Banana

Seriously – how phallic is it!
see

nose_dive_lily_mae_martin Nose Dive

The last one is a drawing of a bird that I found this morning. I was walking past a hospital and saw something fall to the ground from my peripheral – it made a noise when it landed that made me turn. I thought it dead but when I looked closer I saw it’s tiny body breathing, little black eyes blinking at me. So I called wildlife rescue and while giving my location details, so a rescuer could come and collect the bird, it opened it’s beak up super wide and then it just stopped. Last breath. It blinked no more. So I told the lady on the other end and she asked that I could at least move it so people wouldn’t step on it, which I did. And then I drew it. What a strange thing to witness but at least I was there in it’s final moments so it didn’t get stepped on.