Artworks for sale

Hello there – I have a number of artworks that are framed and avalible for sale at Scott Livesey Galleries in Melbourne. I thought I’d put together a post with their details and if you are interested please contact the gallery on T: +61 3 9824 7770 or email at INFO@SCOTTLIVESEYGALLERIES.COM

First up, the landscapes
Haunted – 56 x 76cm, ink on paper, 2017

Waterloo State Forest, View From Back – 105 x 75cm, ink on paper, 2016

In The Gully, 56 x 76cm, ink on paper, 2016

Then – the nudes – these vary in sizes

As yet untitled, 56 x 76cm, ink on paper, 2017

As yet untitled, 56x76cm, ink on paper, 2017

Rebirth, 75 x 105cm, ink on paper, 2017

Ride, 30 x 30cm, ink on paper, 2016

Dancer, 30 x 30cm, ink on paper, 2016

There are more, if you follow this link: Lily Mae Martin at Scott Livesey Galleries

All the art – gearing up

Well, the beginning of the year I saw a clean slate and I was both excited and deeply depressed about this. 2016 was a very successful year in terms of exhibitions and building up momentum.

I’ve moved things about so I work full time hours, with bits taken out for school drop off and pick up and cuddles and gardening and cooking. The I work into the evenings Monday to Friday. I’m finding that since I broke my laptop – and have this hear clunky desk top – online stuff isn’t taking over my life as much. And I feel like I have more time, or maybe that’s just the mental clear out – either way, I feel so much better.

My drawing board situation is that there are four pieces coming together, there are more that are in my mind.. I’m doing the landscape for a specific idea which I will talk about later and the nudes – I’m working on some smaller ones for a possible exhibition in future.

Just make the work.

On Saturday I went to Melbourne for the continuation of the Summer Salon exhibition at Scott Livesey Galleries ( LINK ) It’s up for the duration of February so get down and check it out, I have four pieces on display – a landscape, two small nudes and one large nude ( pictured)

In the morning I got to the James Makin Gallery to see Godwin Bradbeer’s Episodes Then & Now exhibition –LINK. It’s on until February 25th and you should totally go see it.

There’s a large retrospective of his work coming up in March – Stigma and Enigma so I hope to make that – it is indeed a different experience to see work IRL than just online.. I think people forget that.
I also wanted to get down to see LAURA curated by my friend Sophia Hewson – but I ran out of time!!!! *cries* So if you’re in Melbourne make sure you go and see it – LINK

Now, that is a very full and lush post and I better get back to it.

AND my tomato plants have flourished and I’ve been eating them, which is the best.

Studio kitty, Author and Finisher, Sanctuary and Winter Masterpieces exhibitions and haberdashery

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Friday it snowed twice and kidlet had her last day of school for the term. The above photo is from Friday evening – Kira kitty exploring the studio before curling up to sleep. I love her company. When I turn off the lamps and gather my things to leave she uncurls herself, meows at me and follows me down the stairs and back into the warm house.

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Saturday morning and it’s freezing. There is ice on the footpaths and roads. I walk very slowly but purposely to the train station, this is not a good morning to not be able to find my only pair of gloves. I sleep on the train for a few hours before making it into Melbourne town. It’s coffee and art time with friends. First up is Author and Finisher at Kozminsky by Nicholas Jones. The gallery is on the second floor and the space and the art is beautiful. There’s so much loveliness to take it, it felt really special to be able to see that. It is quite a sizeable exhibition and we were lucky to have Nicholas there to talk to us about making of particular pieces, the stories behind them and the practical sides of things like printing and framing.
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Then I went to the NGV to see the Degas exhibition. Contours feature so strongly in his works, they were so lovely to see up close. I found the famous ballet pieces charming but my favs for me were one off portraits of a peasant woman and a large bather rendered in pastel, and of course – the dead fox in the undergrowth.
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Lastly I go to see Becc Ország’s exhibition, Sanctuary, at Nicholas Projects. Beautiful drawings rendered in graphite, with delicate additions of gold leaf.The largest piece in the show really stood out for me, The Source of All Things ( Birth of The Rivers ) – it added a whole new experience to the drawings as a whole. Very dreamlike and making me recall magical places I have visited in my life; coastlines of Italy and Snowdonia in Wales.

Then it was onto collecting things for three little girls who are turning six soon. I stumbled into the haberdasher, l’uccello, in the Nicolas Buidling and it was such a visual treat. What a day.

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Here are the links to the galleries and artists mentioned, as well as a review written by Esther Anatolitis on Nicholas Jones’ exhibition. Have a click and get down to see these if you’re in Melbourne CBD soon.

NICHOLAS JONES: AUTHOR AND FINISHER by Esther Anatolitis

Nicholas Jones

Kozminsky

Edgar Degas NGV

Becc Ország

Nicholas Projects

l’uccello

Launch of New Drawings

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The launch of my New Drawings and Darren McDonald’s Something Worth Fighting For at Scott Livesey Galleries last night was wonderful. Both exhibitions were opened by Scott Livesey and Dr Sarah Engledow, from the National Portrait Gallery. Sarah said that the three things women hate about their bodies are toes, bellies and body hair – which feature heavily in my works. She said she had never seen so many toes and that after looking at the works she began to look at her fellow humans with more sympathy. I was really touched by her words.

All photos are by Gene.

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Thank you to everyone who came and spread the word about the exhibition. It is on until the 24th of February. All works are for sale.
Scott Livesey Galleries – 909A High Street, Armadale Melbourne

New Drawings – Exhibition

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Dear readers,

I am very pleased and proud to announce that I have an exhibition opening next Thursday the 11th of February, 6 to 8PM at Scott Livesey Galleries in Melbourne.

I’m really proud of the work that I have made, and look forward to seeing it all together in the gallery.

The exhibition runs until the 24th of February – which covers two weekends so that should be handy for a lot of people!

Best to you,
LMM

June 13th – exhibition and panel

SALON
I have a drawing in this Salon exhibit, check out that line up!

– THE SALON – CHAMPAGNE OPENING
THIS Saturday 13th June, 1-3pm
A large and diverse ‘rotating’ collection of art and artefacts from the stockroom, artists we represent along with works from private collections.
ON VIEW 13 June – 25 July 2015
Gallery opening hours:
Tues-Fri 11am – 5.30pm
Sat 11am – 4pm
If you have any queries, please do not hesitate to contact us at the gallery: info@scottliveseygallereis.com OR +613 9824 7770

But before that:

Motherhood and Creativity

I will be at the Williamstown Literature Festival on Rachel Power’s panel – motherhood and creativity with Sally Rippin and Lisa Gorton. You can buy tickets here: Tickets

How exciting!!!!

Exhibition! Drawing!

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TWENTY FOURTEEN is on view from tomorrow the 23rd of August until the 26th of September. This exhibition is a showcase of all the artists represented by Scott Livesey Galleries – here is a link to a catalogue of the works that will be in this exhibition, which was also handed out at the Melbourne Art Fair last week. LINK. It is such a beautiful catalogue! I have my woman on bed drawing in this exhibition, with a wonderful quote from Rachel Power on my work in the catalogue.

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Short Film by Marianne Latham

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Marianne Latham contacted me as she is putting together a documentary about the nude in art. She was interviewing people in regard to the Benalla Nude but others as well. I really look forward to seeing the full doco! But she put together this short of me – I feel really humbled that Marianne wanted to come into my space and ask me about my work and my thoughts. It’s also rather timely as well – because I really need to write a new artist statement soon and this ( plus another interview I did, which is not yet online ) have really got me thinking about what is important to me in my work.

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Thank you Marianne!

Women on Bed drawings – three so far

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One

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Two

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Three

The last one I finished off with a twelve and a half hour drawing session. I haven’t been able to sleep as I have been so excited about it and wanted to write about these works but I am so tired from all the drawing and working and uploading and the things so another day. For now, just look.

So proud.