Perspective is a great thing – when I came back I was sitting in my studio with my Kidlet laughing and drawing a poo and Kitty getting beneath the drawing board, clawing at me and I felt really, really happy. It’s a tad distracting, sure – but I’d rather this distraction. Maybe I can’t have true solitude to make work, ever. And I just got to suck it up and work ’round it, like I have done for years. I do crave travel and exploration, and maybe that’s a craving I just have to sit with. I am working on things to try and make things happen though, however I think it is wise to make things work the way they are rather than hang all my hopes on the nebulous. It is a great thing to be ambitious, but it is also a great thing to be practical.
I’ve also got to make some pretty solid decisions about my life – I feel a strong draw to go both ways with my career but I can’t do that. I can’t do all the things I want to do, this life is so flippin’ short.
Anyway, enough about my thoughts – it is Friday and I get a few hours to myself to tackle the rather large rainforest drawing that I almost abandoned due to heart ache. It’s nearly there, but boy is it challenging my technique.
Category Archives: #drawing
Understory
Understory – Tasmania
By Lily Mae Martin
56 x 76cm
Ink on paper
2017
This isn’t the first drawing I have started that was inspired by my recent stay in Western Tasmania, but it is the first to be finished. It was very hard to finish. I’m trying to let the lines speak more – keep the mark making looser. Trying not to go over and over them – render, render, render..
There are parts I feel that I have achieved this more than others, and I am very happy with the results. This is such a depareture from the starkness – the nakedness – of the nudes. There’s so much going on and yet my eyes are lulled into the movement of light and dark. Having the same calming effect on me as listening to white noise. It feels, it is, a different world. And I keep dreaming about it too – behind my eyelids I am back there looking at everything growing out, on, of everything. A branch falls and the tip stabs itself back into the soft earth, and then things grow from it. Evidence that there was movement long ago but this place just readjusted, took it back into itself. A process that took many, many years but time is different there. Everything is different there. I am different there.
Now I am in my studio but part of me still feels like it is there. I must go back to Tasmania, but in what shape that’ll take will have to be seen. It’s just time to make the work now.
Artworks for sale
Hello there – I have a number of artworks that are framed and avalible for sale at Scott Livesey Galleries in Melbourne. I thought I’d put together a post with their details and if you are interested please contact the gallery on T: +61 3 9824 7770 or email at INFO@SCOTTLIVESEYGALLERIES.COM
First up, the landscapes
Haunted – 56 x 76cm, ink on paper, 2017
Waterloo State Forest, View From Back – 105 x 75cm, ink on paper, 2016
In The Gully, 56 x 76cm, ink on paper, 2016
Then – the nudes – these vary in sizes
As yet untitled, 56 x 76cm, ink on paper, 2017
As yet untitled, 56x76cm, ink on paper, 2017
Rebirth, 75 x 105cm, ink on paper, 2017
Ride, 30 x 30cm, ink on paper, 2016
Dancer, 30 x 30cm, ink on paper, 2016
There are more, if you follow this link: Lily Mae Martin at Scott Livesey Galleries
This town, Queenstown
It’s well into the second week of this residency and I have been so sick. I hardly ever get sick! But after a day of drawing from something AM to something AM.. I ran myself well and truly into the ground. I’ve not felt human since Sunday and only yesterday afternoon – whilst walking near Cradle Mountain – did I relearn the joys of breathing out of both nostrils. Yay to not feeling like death warmed up. Yay – no more fever dreams!
I’m tackling the paint and the paper and some of the original ideas that I had are not turning out as planned. Not to panic though, I’ve been doing this art making thing long enough to know that this is just the way it rolls. But to think that this residency, in a rather isolated town on the west coast of Tasmania, was just going to challenge my art practice alone is limited thinking. This is challenging my very being. I’m not used to being alone, there’s usually always someone asking me something somewhere or tugging at my sleeve or in more recent times – asking me questions over the intercom system my amazing Gene had installed. To say that I miss them just doesn’t seems to do these heavy feelings justice.
My life was not a life until I had my family. I made a calender for my kid to count down the days until we see each other again and I think that I need it more than her!

Not to get caught up in all these feels, I am trying to honour them, this time and space by being productive.
This is so hard, but I wanted this, I made this happen so I better bloody step up!

This town though, gosh. What a town. It feels interconnected and strongly so, in a way small towns often are but more so. I am just an outsider, dipping in for only five weeks so I cannot speak to it as if I have any authority but the experience so far is everyone is interested. People pop their heads into the gallery daily, ask us what we are doing, how we are going, where we are from, hey it’s bin night tonight. I walk down the street and a fella nods and says exhibition on soon? Start of June I reply. He nods and smiles and continues on his way.
They seem to make a lot of deep pan pies, none of which I have had the privilidge of trying because I don’t eat meat. It’s cold and rains most days because we are surrounded by mountains that catch the clouds, and at night – it is quiter than quite. I’ve never expereinced anything like this and so thankful that I get to.
I think it is almost impossible for me not to make art directly responding to this place. I just hope I can make something good.

New drawing
Look up ..
What your ears look like
Pens down, feet on the ground

I was fumbling about in the studio so I put things down and have been out and about. Autumn has been beautiful and I’ve been walking; looking at the birds and enjoying the colour of the leaves changing, watching the clouds and taking in the smoke from all of the burn offs – ’tis the season.

I’ve been reading about colour and thinking about the different was I could utilize them in artworks – all stuff I must have studied once upon a time however it has been a long time! So these thoughts have been informing the way I have been looking at the landscapes I have been trudging around in. It’s pretty amazing.

When I can’t adventure I’ve been weeding in my garden and making plans for what new friends we can grow/ get for our yard.
My Poppet is unwell this evening and I use these moments as a time to do a quick sketch!

Book in a box
A sketch I did of a very large gum tree has been bought and framed within a sketchbook. It looks like a museum piece! I am very pleased with the result and that it has gone to a very good home.
I’m feeling stuck with work – I am not good at down/ in between time. Think I ought to lay off of myself and take in some life. Much like this kangaroo friend Kidlet and I saw today:





















