An ongoing series of small, intimate landscape drawings.
Gathering these together I hadn’t relaized that all places have been completely altered by mining.
Understory – Tasmania
By Lily Mae Martin
56 x 76cm
Ink on paper
This isn’t the first drawing I have started that was inspired by my recent stay in Western Tasmania, but it is the first to be finished. It was very hard to finish. I’m trying to let the lines speak more – keep the mark making looser. Trying not to go over and over them – render, render, render..
There are parts I feel that I have achieved this more than others, and I am very happy with the results. This is such a depareture from the starkness – the nakedness – of the nudes. There’s so much going on and yet my eyes are lulled into the movement of light and dark. Having the same calming effect on me as listening to white noise. It feels, it is, a different world. And I keep dreaming about it too – behind my eyelids I am back there looking at everything growing out, on, of everything. A branch falls and the tip stabs itself back into the soft earth, and then things grow from it. Evidence that there was movement long ago but this place just readjusted, took it back into itself. A process that took many, many years but time is different there. Everything is different there. I am different there.
Now I am in my studio but part of me still feels like it is there. I must go back to Tasmania, but in what shape that’ll take will have to be seen. It’s just time to make the work now.