Rick Amor Drawing Prize 2016

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Morning Song, ink on paper, 76 x 56cm , 2016

Morning Song, ink on paper, 76 x 56cm , 2016

Friday night was the opening and announcement of the winner at the Rick Amor Drawing Prize at the Art Gallery of Ballarat. Peter Wegner took out the prize with his beautiful drawings of a friend who had gone into palliative care.

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If you have ever seen anyone at the end of their lives, this work truly captures this time. The line work is delicate – it’s so beautiful and it’s so sad. You should see more of his works on paper at his website here: Peter Wegner works on paper

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Today I got to take my little girl to see all the drawings, she was very keen to see mine even though she saw me make it. I felt like she was proud of me, that was super special.

The Rick Amor Drawing Prize is on until the 2nd of October.

Next week – National Works on Paper at the Mornington Peninsula Regional Gallery and then my kidelt turns 6!

Paul Guest Drawing Prize

My drawing Crawling has been shortlisted for the Paul Guest Drawing Prize. The exhibition will run from the 27th of August to the 16th of October at the Bendigo Art Gallery. Here is the link to the full list of finalists, there’s some great artists listed : LINK

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Crawling
By Lily Mae Martin
75 x 105cm
Ink on paper
2016

New drawing – Waterloo State Forest, view from the back

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Waterloo State Forest, view from the back
Lily Mae Martin
105 x 75cm
Ink on Paper

Waterloo State Forest, view from the back is an exploration of death and grief through the peripheral. Much of my work focuses on the intimate details of the human body, but watching a loved one die can complicate that work. Death is the process of the body shutting down, and documenting that isn’t always possible or right. Waterloo is the documentary of a life passing, and of the lives around it changing, as it is experienced through the landscape: a hushed forest, pitted with mineshafts; the perpetual shifting of light and shadow; the symbiosis of regrowth and decay.

Poppet

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School holidays have been fullllllooooonnnnnn. We traveled almost three hours to get to a birthday party, we danced and ate cake. There’s been drawing and tears and sleep and not much sleep and so much anime and Pokémon. We baked election day gingerbread and did yoga and cuddled in bed on rainy mornings. It’s just at the halfway mark, and I finished a big drawing.

1999

I used to take a lot of photos, even before the ‘digital revolution’. I scanned in a few rolls, taken in and around Melbourne in 1999. There’s a lot of old friends and some pretty grim stuff of water in lane ways and smack dens. It very much sums up the ’90’s. All are taken on Ilford disposable black and white cameras.

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Luna Park, St Kilda

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Back of somewhere probably in Richmond.

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Eltham train line

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Burnt out store front, Echuca

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Crowd in Hawthorn

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Richmond Girls after it was shut down

Untitled-12
The best dog in the world

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Murray River, Echuca

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Play Ground, St Kilda

Studio kitty, Author and Finisher, Sanctuary and Winter Masterpieces exhibitions and haberdashery

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Friday it snowed twice and kidlet had her last day of school for the term. The above photo is from Friday evening – Kira kitty exploring the studio before curling up to sleep. I love her company. When I turn off the lamps and gather my things to leave she uncurls herself, meows at me and follows me down the stairs and back into the warm house.

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Saturday morning and it’s freezing. There is ice on the footpaths and roads. I walk very slowly but purposely to the train station, this is not a good morning to not be able to find my only pair of gloves. I sleep on the train for a few hours before making it into Melbourne town. It’s coffee and art time with friends. First up is Author and Finisher at Kozminsky by Nicholas Jones. The gallery is on the second floor and the space and the art is beautiful. There’s so much loveliness to take it, it felt really special to be able to see that. It is quite a sizeable exhibition and we were lucky to have Nicholas there to talk to us about making of particular pieces, the stories behind them and the practical sides of things like printing and framing.
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Then I went to the NGV to see the Degas exhibition. Contours feature so strongly in his works, they were so lovely to see up close. I found the famous ballet pieces charming but my favs for me were one off portraits of a peasant woman and a large bather rendered in pastel, and of course – the dead fox in the undergrowth.
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Lastly I go to see Becc Ország’s exhibition, Sanctuary, at Nicholas Projects. Beautiful drawings rendered in graphite, with delicate additions of gold leaf.The largest piece in the show really stood out for me, The Source of All Things ( Birth of The Rivers ) – it added a whole new experience to the drawings as a whole. Very dreamlike and making me recall magical places I have visited in my life; coastlines of Italy and Snowdonia in Wales.

Then it was onto collecting things for three little girls who are turning six soon. I stumbled into the haberdasher, l’uccello, in the Nicolas Buidling and it was such a visual treat. What a day.

luccello_lily_mae_martin

Here are the links to the galleries and artists mentioned, as well as a review written by Esther Anatolitis on Nicholas Jones’ exhibition. Have a click and get down to see these if you’re in Melbourne CBD soon.

NICHOLAS JONES: AUTHOR AND FINISHER by Esther Anatolitis

Nicholas Jones

Kozminsky

Edgar Degas NGV

Becc Ország

Nicholas Projects

l’uccello

Close Up

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It took about two weeks to find my way with this work, which was hard but so worth it. Now I can’t wait to get to drawing and I do have to stop and do adult things and parent things but I am so lucky my studio is just out the back so once everyone is in bed I can just get back to it.

I think I will get this done sooner than I thought, and I have a second one planned.

Milk Tooth

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The same day one of kidlet’s baby tooth falls out, we have our first parent teacher interview. I’m wondering how we got here already. I spend the whole session with my heart so big and with her tiny little tooth in my pocket, I want to cry. She’s so beautiful, she’s mine, she’s her own. I feel both split wide open and heart broken but whole and proud and stuff has meaning and yet it doesn’t. I don’t make sense, I don’t care. She just threw her melodica this morning and gave me angry face and I love her so.

Different selves and the other stuff

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These past few weeks have been pretty intense – G is working to a deadline, the film industry is a tough one. He’s doing great because he is great but it means we hardly see him. So I’m working to a really tight routine in order to get everyone fed, clothed, clean and to where they need to be on time. Or close enough to on time. So I’ve got a full calendar with little alarms/ reminders set to tell me when to stop one thing and start another, when to do the school run, when to eat. We’re a small family and we are on our own in all of this, which I think is more common for families these days more than people like to admit. Generally I feel a strong push towards some ideal of ‘community’ values yet there is no community. My days are full and I’ve dropped out of all things social. I miss people, or I feel I should miss people, but I can’t go to events – they are all in the evening and usually require me not to take a child and I’m too tired. I wish visits to each other’s houses at reasonable times for cups of tea was more common than it actually is! But it is not so. I’m too tired to push for it, but maybe one day I could.
I used to try a lot more, but a growing child who is learning to read, who has a full time school schedule – which is much more full than I anticipated – dominates our lives and that’s pretty fair. It’s a very important time in her life. I don’t organize much in the way of activities outside of school because I think we all need rest, she needs rest. And I think she needs alone time and learn how to manage boredom. Which she does pretty well. Even though the entire house will become a museum/ dance hall/ theatre/ abomination after just one day… It’s doing good, I think.
So while I try to do it all I find it hard. Get up, get ready, walk to school, run errands, home and eat, a few hours to draw, school pick up, prepare dinner, dishes, probably laundry and get ready for the next day, bath, reading, pass out. I find switching between all the roles very hard. Especially when I get into the flow of drawing… Or when I come up against something challenging in my work, which is often at the moment because I’m experimenting. There’s no time to brew, reflect, fuck it up and fix it. So I cry, it’s frustrating. I’d love to do six/ seven/ eight hours days but no one else will do the other important things that need to get done. Sometimes I think “drop the art, it’ll make your life easier”… But isn’t that what women have been forced to do for all the years prior. I know it has been hard for many years and will still be for years to come but I have to make this work. I have to do it for me and for drawing. What a real shame if I just dropped it. Grandma wouldn’t be happy with me.
In saying this, I have dropped a lot of other things. Social life, online life, I don’t network.. Online or IRL, writing grants, heck I can’t even negotiate sales or anything because when I get time I just want to make The Work. That’s all I want to do. It feels urgent yet I have to negotiate the time for it and be patient. That is so hard to do.
I’ve just gotten home from an epic public transport journey of collecting art from one place to take it to another. I’m drinking lady grey and there is so much laundry to do it just feels stupid. But I’ll do it tonight because I am 33 and my saturday nights are wild. ( I actually really love my weekends staying at home especially in the cold because it is very lovely. )

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