I thought I’d write

I thought I’d write because I haven’t written here in a while.

My Berlin Domestic project is what I think about when it comes to blogging – this site is due for another overhaul but my other half is working six day weeks at the moment and we just need to wait until his deadline is over before we can tweak this. And photograph the new
( not so new ) works I finished a few weeks back. And upload them. And spend time together.

Etc.

My exhibition is no longer opening in July – as I wrote about here –  it will be opening on the 31st of August. After my daughter turns three! ( THREE! ) So I am using the extra time to get a few more pieces finished and get a few more models in.

By models – I mean people that I see that are inspired and/ or inspiring and then I write to them over whatever social media I can to ask them to pose for me. I hope that they don’t think I am creepy but you know, it’s part of my job to think about people and their faces in terms of an artwork and together we can make something really awesome.

All have said yes, so now I am just trying to find my camera battery charger ( because I’m a real pro like that ) and find the time to get together that suits all of us – which includes my daughter.

Also this month Going Down Swinging’s digital edition #34 came out with one of my works in it. It’s really lovely – I enjoyed being able to listen to peoples work while I worked. You can access it here: #34

OK, back to work – the domestic and the artistic.

 

Sick BUT excited!

I think I have a lot of work ready for this exhibition.

I think.

But some part of me is telling me to make more, to keep going. However, I’m sick now and I have been for days and I’ve been trying to shake it – to get back to that canvas, back to that drawing – but I have finally decided that no, I’m going to simply just get myself back to bed. To warm blankets and pillows. To lovely, lovely sleep.

( However it is not that simple as Toddler will not go to bed.. as I type this I can hear her yelling from her bed. )

But beneath the sick – or to the side of it, slightly above or sitting happily in my lap – I am pretty excited. I am pretty excited and proud of all the work I have made and I feel even more excited that all of this work has never been exhibited in my home town before.

And on July 6th it will all be on display here in Melbourne.

 

( The above drawing is a detail from the portrait of poet Ainslee Laura Meredith that I recently finished. )

Working, thinking

I feel like I have been drawing this drawing forever. Which is utter nonsense because I only started it last week .. perhaps the week before.

But I’m at that point where even though I work and things get drawn and it’s evolving – I feel like it isn’t going anywhere.

Perhaps this is the danger of focusing all of my time on just one artwork. Maybe this is why I ( usually ) work on many artworks at once. Because if there is just one work then I think about that work. I think about it while I’m working on it, I think about it when I am packing up from working on it, I think about it at dinner time, I think about it while I’m showering, spending time with loved ones, changing a nappy. I think about it on trains and in cafés and I think about it while I am trying to sleep. Which is the worst because with no other outside influence I think about it in a hyper-realistic state. I note the textures, the way the ink takes hold of the paper, the layers – I feel myself drawing it.

So then I am doing all of this thinking and feeling and it’s taken up so much of me it almost feels like it is going to implode. There’s too much and when there’s so much information and feelings it’s almost like I’ve experienced this artwork completely and then I think, well, I don’t have to finish it. Because I’m kind of lost to it and what’s the point anyway.

So this is the point I photograph and upload it onto this blog to say look, I’m making things and something is happening – even if my tired brain, eyes and hands tell me otherwise.

 

 

Work, work, work!

The months I had for preparing for my solo exhibition are now just weeks!

I am a mixture of emotions as this is the first big show I have had in my home town in such a long time.

I’m working on paintings and drawings and showing a lot of work that has never been exhibited in Australia before – I am so excited!

This last weekend I was at the Big Hearted Business conference and I’ve been inspired to take a little bit more control of my life and get active about getting what I want.

I really need to get business cards, I’m thinking of a new look for this site, I’m getting a few applications in to be qualified to do more stuff. I’m saying yes to things that I am so excited to be part of and I feel excited about everything!

Here’s a little detail of a painting that I begun yesterday – I think she’s going to be a good one:

Monique Revell at the Nouvel Organon

I ‘discovered’ Monique Revell through another artist I admire, Eric Henshall.

Monique’s work is what I’d describe as raw – but not in that wound and aching kind of way, in that natural kind of way. When I look at Monique’s work I get the impression that painting and drawing come at such an ease for her it’s an innate ability.

She is having an exhibition at the Nouvel Organon in Paris this March, if you’re lucky enough to be there than I am truly envious of you.

You can see more of her most recent – and in my opinion best – work on her facebook page here: MR

 

Art & Body Image

This was originally published on Berlin Domestic.

Life Drawing was my favourite component to my university course, it was also the most challenging. Previously I had always been rather precious about my work – I would never let people see my art in development, I never drew in front of people, I was so self conscious about it – like I was about my nude body. So life drawing forced me out of my many comfort zones, up until then I had largely avoiding drawing hands, feet and I avoided foreshortening at all costs! I had to draw fast, focus on negative space, do drawing exercises, draw without an eraser and live with the fact that I made some very bad drawings. It loosened me up while at the same time it exposed me to different body types.

I have always felt, and still do feel, that we ( society ) have an extremely unhealthy relationship with nudity. I find it confusing that people cannot separate nudity from sexuality ( Bill Henson’s work being deemed as ‘controversial’ saddens me.) We don’t really see nudity  in Australia ( you do in Germany! ) unless it’s something sexually explicit, unless it’s airbrushed, trimmed and thin. I believe that the mystery around what is in fact normal and healthy is the cause as to why people have issues with their own bodies.

Bodies are unknown and we are all unsure.

So in my very early 20′s I started drawing nude men, women, old, young, fat, skinny, pudgy, waxed, hairy, tattooed – it was exciting and liberating; I was getting better at art, I was getting better at seeing people. Unfortunately at this time I also got involed in a destructive relationship that warped my self image and pressured me into feeling competitive and compared to other women. During this time I deferred my studies.

After that relationship happily ended, I went back to do my final year at the VCA. I produced a large body of work focusing on self portraiture and looking back I made some pretty dreadful work, but it was the beginning of me accepting myself and my body. I was healing and dealing and I think my final year piece summed that time of my life up nicely:

When I moved overseas and became pregnant, I felt that the competition I had always felt with other women was over. I was on my own path now, even though pregnancy is such a common thing and I never felt more alone in my entire life – it was my own,unique experience. I watched my body change, I watched my body become something else. And while all of this transformation was happening in a city where I didn’t know anyone, I enrolled into life drawing classes.

Two hour life drawing classes while heavily pregnant, was no easy thing! But I did it anyway and I enjoyed it so much. Making art, talking about it, showing people made me feel part of something again, even if just for two hours a week.

My body after birth was a confronting thing. I’m lucky enough to have never been very sick previously, but I wasn’t lucky enough to have an ‘easy’ birth and walk away from it. ( Indeed, I couldn’t really walk for eight weeks.) But after all the hurt – infection, laser therapy, short wave therapy – there was my body, after pregnancy. For a good year and a half I was proud of it. I was OK with all the scars, the new shape, the softer breasts but the pride wore off and baby time ended and I felt I was back in the competitive saddle. I should be thinner, tanner, sexier. More like her. Any her will do as long as it isn’t me.

Then I started doing portraits of other people, which opened me up to a whole new notion of beauty again. Studying different people to make paintings is a very consuming process, and it was a very important one. Everyone is so beautiful in their own way, everyone is so beautiful because it’s their own way. How come I couldn’t see this before?

If everyone is beautiful, I must be too!

DUH!

Recently I feel like I’ve started seeing people differently again! I feel that when I look at someone I can see them as their kid self, teenage self, middle age self and old self and I am aware that I am just experiencing them for that moment. Youthfulness is fleeting, it also changes it’s defination depending on what stage of life you are at. I remember thinking 33 was so old when I was 15, now I’m 30 and I think 15 is so damn young – another lifetime.

Maybe I’ll be ‘old’ at 60, 70?

I feel ads don’t work on me anymore, or not as much. It’s not aimed at me because I am no longer the target market – by many definitions I’m too old, but many definitions I’m used up ( married, with a child ) but mostly – I don’t want to be it. I love uniqueness in people and I the rake thin, tanned form is a distorted one. I know how much work goes into that and I think that perhaps time could be better spent. I think when I see movies, I see ads, I see models I think all of them have some form of eating disorder – that is nothing to aspire to.

So for my daughter I want there to be a lot of art around her while she grows up. I want to try and encourage her to see people in their many shapes, colours, sizes, ages, etceteras. I want her to accept and love herself for who she is and I hope that the ads won’t work on her as well as they did on me for a while there.

All I can do is hope and try.

Twelve by six

My work has come to a halt again. My better half works in the film industry and the latest project – that has been extended beyond extending – is coming to a close so he has to do twelve hour days six days a week.

He gets up at 4AM and comes home at about 7:30PM. Our daughter misses him, I miss him, I’m sure he misses him! Though he comes home at a fairly reasonable hour I cannot find the strength to work. My daughter wakes several times a night and I am the one to get up for her, I get up early with her and do breakfast, entertainment, cleaning, dishes, grocery shopping, cooking, laundry, nappies, dishes, vacuuming  mopping, cooking, dishes, laundry and you bet your ass when she goes down for her midday nap – so do I.

I go to bed at 8:30PM each night and I haven’t gone out in the evening for gosh knows how long now.

Today I felt pretty hopeless, I feel a little stuck and strangely detached from the world. People do visit me more here but I have such a solid routine which I cannot deviate from. Because I need my rest, I need my daughter to rest otherwise I can’t cope.

We can’t cope.

I know my daughter is not always going to be two, but it gets hard to keep sight of that when I’ve had to stop everything so many times. I really have to just stop and try really darn hard not to think about it otherwise I cry. I had more help in Berlin and that makes me feel rather torn. That’s not to say that it was better – it wasn’t – but childcare was more affordable there, more accessible.

It gave me more of a chance in someways.

I love being a parent, I’m just constantly left flummoxed as to why this is so hard. We’ve been making babies forever but with the way everything is set up – the way it’s still such a shock – I mean, why? Why is it like this? Does no one else think that this is absolutely stupid?

And when I begin to think about it in the wider context I get completely overwhelmed and crushed. So best leave it.

One day, one day it’ll be my turn.

 

 

New works in progress

I have set up a new space. It’s bright with natural light, completely the opposite of the painting cave I had in Berlin – though the cave did serve me well! I do have to paint in a sunhat though, the Australian sun is so strong and I sit underneath a skylight.

I’m working towards my exhibition mid year. We will be exhibiting a collection of drawings and paintings – I’ve made a lot of work that has never been exhibited in Australia so we will be choosing from them as well as some newer works.

I’m focusing more of hands and feet at the moment, as well as improving my drawing and painting techniques. Which means the work is more intense but I’m feeling pretty excited about what I’ve been making.

I’ll be working on a few portraits we well, but I’ve been working – collecting and sketching – for these hands and feet for so long I just HAD to start with them.

It’s good to be making works again.

Lily Mae

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