grasp and squish

I have been retraining by looking for different papers and focsuing in on parts. Highlighting and abstracting, rendering and rubbing back. Next year I will be having an exhibition, but I wanted to present a variety of sizes in regards to my works on paper.
There are more but I wanted to save some of them for when you get into the gallery 🙂


grasp and squish
Ink on paper
15x19cm
2017


This corner
Ink on paper
15x19cm
2017


Sideways
Ink on paper
15x19cm
2017


These Hands
Ink on paper
15x19cm
2017

These hands I have drawn before and I will again. These hands have held babies and made international skype calls.

That’s it for today!

As yet untitled – new drawing

I had a title, but I have completely forgotten it. If I explained the month that I have had, it would make sense why. But the details are boring. Point is, I did the drawing and here it is. It’s part of a new little series that I am working on. I am pretty excited about the blending of my two loves into the work – body and land.

For now she is Fern Girl.
By Lily Mae Martin
56 x 75cm
Ink on paper
2017

I am due to have an exhibition at the beginning of next year. So I will be off working hard to produce new works. Really excited about it.

Winter Salon Exhibition 2017

Seated Nude ink on paper 75 x 105cm 2016

G’Day – couldn’t write about this last week as the website was down. Thank you for the lovely fellas who fixed this! WordPress Wizards.

From 22/07/2017 to 12/08/2017 The Winter Salon is on view at Scott Livesey Galleries. It is a mixed hang of all the artists represented by the gallery. Including works by Luke Scibberas, Joshua Yeldham, Bern Emmerich, Yukultji Napangati, myself ( above artwork is in the exhibit ) and many more.

Here is an online preview of some of the works: Clicky click

I’m working towards an exhibition at the beginning of 2018 – so I will probably be quite here but probably not. I’ll be working super hard regardless – because I am really excited and feel my drawing has gotten better.

Thanks for reading!

Near Harris Reward, Tasmania – New Drawing

Well, that was hard!

Near Harris Reward
By Lily Mae Martin
112 x 75cm
Ink on Paper
2017

I did another whole different drawing while trying to do this one, this one was so so so hard. It’s the largest and most dense drawing I have done ( to date )..

THE FERNS!

I really want to get back to West Coast of Tasmania, I don’t feel like I explored as much as I could have.. I didn’t get to do as much as I could. I’m trying to move things about to make it happen – but money and time do not come when you want it…if only! The Secret failed me 😛

Still I am untangling the experience and still I am scratching a little lostly ( that is probably not a word, oh well ) at paper. Behind my eyes I am back there and going for those walks through shrubs and trees with things growing off of things and I don’t know what anything is called.

Little clueless speck.

These last weeks have been on and off – Kidlet with a tempreture of almost 40, we got chickens! Gardening and cooking and baking with my lovely cousin. Life life is good though winter is not my favourite time – it is just weather and here in Oz, the cold is quite mild.

I must get back to the scratching and the f**king ferns.

Understory

Understory – Tasmania
By Lily Mae Martin
56 x 76cm
Ink on paper
2017

This isn’t the first drawing I have started that was inspired by my recent stay in Western Tasmania, but it is the first to be finished. It was very hard to finish. I’m trying to let the lines speak more – keep the mark making looser. Trying not to go over and over them – render, render, render..

There are parts I feel that I have achieved this more than others, and I am very happy with the results. This is such a depareture from the starkness – the nakedness – of the nudes. There’s so much going on and yet my eyes are lulled into the movement of light and dark. Having the same calming effect on me as listening to white noise. It feels, it is, a different world. And I keep dreaming about it too – behind my eyelids I am back there looking at everything growing out, on, of everything. A branch falls and the tip stabs itself back into the soft earth, and then things grow from it. Evidence that there was movement long ago but this place just readjusted, took it back into itself. A process that took many, many years but time is different there. Everything is different there. I am different there.

Now I am in my studio but part of me still feels like it is there. I must go back to Tasmania, but in what shape that’ll take will have to be seen. It’s just time to make the work now.

Two new drawings

I am SO PLEASED with these two – I still don’t have titles yet, I’ll come up with something soon.
They are 56 x 76cm, ink on paper.

I was working on other drawings in the same style but different subjects, however I am not too sure about them, so will sit on them for a little while longer. Working on two images at once is ideal, I think three and four pushed it a little too far for me and I got a little stressed out on the way.
Always learning!

The Longest Shortest Time – Drawing

The Longest Shortest Time seemed like the perfect title for this new drawing, it’s title comes from one of my favourite podcasts of the same name.

Her lush pregnancy hair was very fun to draw. I wanted to do a few works focusing on pregnancy – ( and fourth trimester, contact me of you want to model! ) as I have many feelings around parenting. And also it blows my mind how all consuming these times are, but how bloody quick it passes too! The discourse we have around all of this stuff is deeply troubling, I could write more about it, but writing makes me exhausted.

I am feeling very motivated and excited about drawing and creating and have so many ideas but little paper.. Will have to fix that soon!

Here is a link to the Longest Shortest Time Podcast, have a listen to all things family, birth, boobs!

New Drawing – Rebirth and progress pictures

rebirth_lily_mae_martin
Rebirth
By Lily Mae Martin
105 x 75cm
Ink on paper
2016

Rebirth is a meditation on the identity shifts that occur in a woman after the
act of giving birth.

Birth is a physical experience that may be simultaneously extraordinary and
traumatic. Motherhood is central to a traditional understanding of female
identity; at the same time, the physical implications and complications of birth
work in direct opposition to contemporary female beauty standards that play a
role in reinforcing those same social roles and responsibilities.

The woman in this drawing kneels naked, but it is not a pose of submission.
She leans forward as if poised to stand, her hands gripping her thighs. The
face, usually the primary source of emotional expression, is hidden, giving the
naked body space to speak. The woman’s breasts and stomach draw the
viewer’s focus, representations of both sexuality and motherhood and the
complicated relationship between the two. The scarring across her belly,
incurred from a pregnancy injury and usually hidden from sight, recalls
physical distress and trauma, but also speaks to experience, knowledge,
strength and resilience.

Here are some pictures of the work in progress:

one

two

three

four

So this is my final piece for 2016! What a year it has been. I have a whole lot of things planned for 2017 – experiments and a residency and new small works.

Thank you to everyone for your interest and support and sharing my work.

All the best for 2017

LMM xx

New small drawings

d_framed_lily_mae_martin

A couple of small drawings have been framed and delivered to Scott Livesey Galleries. These are much, much smaller than my usual works but I am enjoying making them.
I’m going to spend this summer smashing out some new works.. I have SO much awesome reference material, I feel like I have so many drawings I want to draw but of course I can only really work on one at a time. It’s a little frustrating but in a good way 😉

If you are interested in viewing/ purchasing a new work, please contact Scott Livesey Galleries
SCOTT LIVESEY GALLERIES
909A HIGH STREET, ARMADALE
VICTORIA, AUSTRALIA, 3143 T: +61 3 9824 7770

F: +61 3 9824 7771

E: INFO@SCOTTLIVESEYGALLERIES.COM