Love Letters & group exhibition

Photo: Scott Livesey

Love Letters & a group exhibition featuring artists represented by the gallery is opening Saturday the 6th of September 1 to 3PM.

Scott Livesey Galleries – 610 High Street, Prahan, Melbourne. Scott Livesey Galleries

LOVE LETTERS

This collection of new drawings is an ode to love letters women used to write in secret to one another. The depiction of orchids is a nod to the violet flower, historically used as a visual code for love between queer women. The association of queer women and the violet reaches back to Sappho, a poet in ancient Greece, who wrote about desire and love between women. Letters, much like drawings, are a tactile representation of passion, love and connection. 

My interest in orchids is multifaceted; they are one of the largest families of flowering plants and relatives of mine have published books and illustrations of many different varieties of orchids. Interest in plants runs deep in my family. From a technical point of view, I endeavor to capture the shapes and weight of the flowers using stippling and light cross hatching, which has been challenging but very enjoyable. 

I am also exploring women just being – not posing, not performing, not responding to, or affected by, the male gaze. I feel that most visual representations of women are them being seen in relation to men, we are the sidekicks, the sexual object, the plot filler, the character builder – we are the virgin and the whore. Though these are not new themes to my work, they are themes that as I draw and grow take on different and deeper meanings. In terms of drawing the human figure, there is always something new to learn and explore. 

Sanctum

Sanctum, by Lily Mae Martin, 56cm x 76cm, ink on cotton paper, 2025

A (very beautiful) woman said to me that I can finish this drawing in time for an exhibition in September, I had been doubting myself. The drawing is currently being framed by my fabulous framer and friend. Really pleased to be making larger works again.

Love letter – new drawing

Love letter – ink on paper, 56 x 40cm, Lily Mae Martin 2025.

Stippling and crosshatching forever and ever.

Orchids – (cannot remember the size, almost A4, at the framers), ink on paper, Lily Mae Martin 2025.

It has taken a long time to try and resolve the direction of my drawings; these two took me a painfully long time to complete. I’m ok with them, but very excited about the next few drawings I am currently working on.

The enemy is in your bed

 

The enemy is in your bed – pencil sketch, A6, 2023.

I thought a light leaded pencil best for something which this title – subtle and heavy.

The title came to me a while ago, before I could work out how to make a drawing for it.

The medium and execution speak to vulnerability, the focus being the throat – one of the most vulnerable places of our body. (Prosody). This is a reflection on those being the closest to us can often be the worst for us; unsafe. I noticed this when I was young but didn’t yet have the words for. This is a both personal and universal experience.

Art for me is powerful – it moves with me through life, communicates, resonates, and gives me a voice when it has been taken away.

 

Sometimes

Spent the afternoon drawing the same tree.

Sometimes it is better to study short and sweet and then spend the day hatching and crosshatching onto paper.

These trees around me are amazing. There are many galahs, kookaburras, currawongs,sulphur crested  cocokatoos, corellas, crows, magpies and black yellow tailed cockatoos flying above. So much life. The morning and evening sunlight and the colour of the sky is always beautiful. This is what I get to look at when I’m just doing the daily bizzo.