Jojo Bow, Lily Mae Martin 18x25cm. Ink on cotton paper 2018
Hello – I am putting together a post of all the little drawings that are available for purchase from Scott Livesey Galleries
Delicate, Ink on cotton paper by Lily Mae Martin 18x25cm 2018
Envisage, Ink on cotton paper by Lily Mae Martin 18x25cm 2018
Claw, Ink on cotton paper by Lily Mae Martin 18x25cm 2017
Tweak, Ink on cotton paper by Lily Mae Martin 19x14cm 2018
These hands, Ink on cotton paper by Lily Mae Martin 14x19cm 2017
This corner, Ink on cotton paper by Lily Mae Martin 15x19cm 2017
Stretch, Ink on cotton paper by Lily Mae Martin 18x25cm 2017
Remission, Ink on cotton paper by Lily Mae Martin 18x25cm 2017
Hands, Ink on cotton paper by Lily Mae Martin 15x19cm 2018
Feet, Ink on cotton paper by Lily Mae Martin 15x19cm 2018
Softer Softest, Ink on cotton paper by Lily Mae Martin 15x19cm 2018
Hand study, Ink on cotton paper by Lily Mae Martin 18x25cm 2018
Foot Study, Ink on cotton paper by Lily Mae Martin 18x25cm 2018
Bend, Ink on cotton paper by Lily Mae Martin 15x19cm 2017
Nipple, Ink on cotton paper by Lily Mae Martin 15x19cm 2018
Somewhere Near Linda Valley, Ink on cotton paper by Lily Mae Martin 14x19cm 2018
Werribee Gorge, Ink on cotton paper by Lily Mae Martin 14x19cm 2018
Dinorwic Slate Quarry – Wales, Ink on cotton paper by Lily Mae Martin 18x25cm 2018
Black Hill, Ink on cotton paper by Lily Mae Martin 18x25cm 2017
For interest contact the gallery on T: +61 3 9824 7770 or email at email@example.com
On Saturday I gifted myself a new sketchbook.
It’s the perfect size – the paper is not too thin, not too thick. I know it’s a good one because I’ve already filled in a number of its pages – there’s a lot of bad drawings; plants and one of the cat. But the ones I love the most are of Daughter human. There’s already a lot of her in there because she’s home at the moment.
I’m so thrilled to just be drawing for drawing with no real plan right now. I’ve finished a bunch of new little drawings, I’ll post about that when they are ready to be sold. Buy them!
Tuesday drawing – heidi hair
We’re all a little over the wind, the rain and the cold but I think that’s normal for the end of July on this side of the globe. To think that the place she was born in she was a summer baby!
Speaking of the place she was born – Wales- a tree was planted there when she was born, and now there’s a fruit tree planted in Uganda. What’s a better gift in this world than children and trees! More on that in the coming months.
Stay warm and hydrated people!
I was pretty excited to see that Peter Wegner was exhibiting these drawings together at Australian Galleries. A few of these drawings won the Rick Amor drawing prize back in 2016. I really, really wanted to see them altogether. The collection is in a smaller exhibition space, which lends itself to being a place of calm and reflection. Which is what these tender and delicate drawings need.
Being there took me to a lot of places, I reflected on how the process of death is a privilege to be part of. How caring for the dying is much like caring for a newborn – mixed with extreme drama and the relentless monotony.
I think we are not privy to this process as much as we should be .Perhaps if we were we would keep ourselves a little more in check about what actutally matters in this life and what is the most precious – which is the time we have. Here. Together.
The drawings are delicate, intimate and fragile in subject and this is echoed with the rendering of each drawing with such a fine line. The folds of limbs and the partially opened mouth remind me of the later stages in the death process – where one can fall asleep halfway through a gesture, halfway through folding an arm or a leg. Like a beautiful little baby.
I thought about my own experience – my father in law sick and dying, being cared for in his home. I remembered things like the green paste applied to his lips and the teeth. His dry eyelids. His hands – still very much his hands while the rest of his body changed. How my daughter became scared and didn’t know what to do, didn’t know how to say goodbye. And after he died I was struck by how he still looked like him yet he looked like every other human being that has ever lived and died on this earth. I remember the body bag being zipped up over his mouth and nose and my very brief panic – oh he won’t be able to breathe, no he isn’t breathing anymore. Then I did the laundry. I washed the sheets that he passed in, the pillowcase he rested his head on. I didn’t want his partner or his son to have to deal with that, the fucking laundry.
See where art can take you?
This exhibition will stay with me for a very long time. It’s the reminder I needed about both life and about drawing. Creating things what remind me of being human, creating things with the love and respect we all need and deserve.
I think I’ve rambled here a few times that I feel a little like I am in a transition with my work. I think I’ve been feeling this for a coulple of years too! Over the last few weeks I’ve identified ways in which I have been drawing don’t work for me anymore and then I’ve been trying to work out how to correct this.
This week I moved things about again in my studio and hung out a lot of old and very new works. I’m just looking at it all, being with it. See my studio is only really used when I can come up and be actively making things. But of late I’ve really been trying to re work my work habits. It’s great to be making, that’s my favourite part but I need to pull my head in to try and find some direction within the work, too.
I’ve had a pretty excellent time going over things. I have a hard time not being so emotionally attached to my works – my failings etc. I’m trying to allow myself to be critical and allow my practice to grow.
I’m so interested in many things, but there’s only so much time. I think I have to make some actual decisions.
In the meantime I’ll make some other studies and see where we will go from here/ there.
By Lily Mae Martin
Ink on cotton paper
I’ve identified an issue in my approach to drawing so I’ve been working on some little drawings to try and train myself out of it.
It’s super important to me to tweak my technical approach – I want to be better, keep getting better.
I feel I have a tendency to over render, which works with some things but not everything. It’s also taking up time that I could be doing much moer useful things in the works. So this little drawing is a success to me. It’s technically a study as it is a plan for a larger work, but I think it’s still an accomplished drawing in its own right. My plan is to send it down to Melbourne with the other small drawings I have made in a couple of weeks.
Just going to have a look at it again. Proud. Now onto the other work 🙂
Hello – I have been working hard on making more little drawings to take down to Melbourne to sell. I have a folio there with smaller, unframed works. They have been going at a steady rate so it is time to make some more. Here’s a sample of some that I have completed so far..
I may frame this one –
I’m trying to make my work not so dark.. Which doesn’t always go to plan. I seem to have ways I do things even though I want to change them up a bit, it’s hard to break habits.
Any interest in any of my work please contact Scott Livesey Galleries – they are awesome – at firstname.lastname@example.org
I also have a number of works hanging on their walls at the moment as part of the WINTER SALON 2018 and some in the stock room there.
Kidlet is about to turn eight, I wanted to get together a collection of drawings – and paintings – I have done of her in the last eight years. I have nothing from her first year of life. Just one quick sketch I did in the hospital ( yes, I had my sketchbook at the hospital when I gave birth ) but I can’t find it. No matter – there’s plenty here.