Painting flowers

In the space between work times & all of life’s responsibilities I have come back to my art making more than I have in recent years. When teaching classes I encourage people to slow down – observe, make art – slowly. To do it for making art for art’s sake, this all contributes to our practice even when we are not creating ‘finished’ pieces. I encourage exploring different mediums even if it is not your usual medium – all of this helps develop our visual language. So, in the spirit of taking my own advice I am exploring paint and doing many little painting sketches. There’s no plan to exhibit these, it’s the practice of looking and painting and exploring colours.

The paintings I most admire are ones that are exploring the medium of paint itself, often from life. Or an expression/ impression of a moment/ concept. In my own practice I often find that I go to photographic realism which is never something I like to look at even by other artists. Even less so the more saturated our lives are with doctored imagery conveying the current ideal. I don’t find value in it, especially in the art space. I am not the art police, I am just speaking to my personal exploration of viewing and making art. But a copy of a copy of a copy is not for me. I feel it subtracts from the artwork and art.

It is surprising how hard it is to come out of a way I am used to painting, and how hard it is to do successfully. What I mean is somehow I got it into my head that to be a proper painter I had to paint realism and the result of this was mainly producing images I had no interest in looking at. Then I began to notice what sort of artworks I do respond to when going to exhibitions and I have been slowly trying to untangle the ways in which I make. I am aware that my practice is known primarily for drawing and drawing has and always be my primary love. But I have also always loved to paint and in the age of Marketing Our Art and being just One Thing, all neatly packaged – I get lost with it and if I can’t tell it or exhibit it what is the point in making it?

To be very clear, these are just traps I have fallen into all by myself. No one has ever made me make art in a particular way other then – Lily, make art. Which has always been left broad by others but trapped in my mind box all by my own making.

(I have probably referenced this before but..) in an email by Milton Glaser to me “Don’t be worried about being taken seriously.”

Here I am trying to unravel myself from what I think is expected but I made it all up.

Lastly, look at my cat 🙂

Eight years in self portraits

I’ve been thinking of doing this for a while, creating one post with all the self portraits – selfies – that I have done over the years. I’ve been examining myself for about eight years now, I haven’t always liked what I’ve seen. But it is an impressive, sometimes scary, sometimes sad and sometimes funny collection. I know I don’t have copies of all of them. They’re spread out over four old computers and some have probably accidentally/ on purposely been deleted.

2008 – Australia

IMG_3923

drawings08

redhair_lily_mae_martin_2008

edit

2009 – Berlin

Me-Myself_cleanBG

2010 – Wales

Caption 1

2011 Berlin

selfportrait2011

2012 Berlin > Australia

thursday_lilymaemartin

bd_023

bd_014

lilymaemartin126

apart_lilymaemartin

badone_2012

2013 – Australia, working as an illustrator

gather_2013_lily_mae_martin

sp_lmmartin

self_lmmartin

familylmmartin

toothy

me_lmmartin

2014 Rural Victoria to Victorian town

selfportrait-july-2014-lily-mae-martin

self-july-2014-lily-mae-martin

bcl2-lily-mae-martin

self-lily-mae-martin

selfie_lily_mae_martin

2015

may_lily_mae_martin

SelfPortrait2015_lily_mae_martin

thoughts_lily_mae_martin

meh_lily_mae_martin

go_to_sleep_lily_mae_martin

lunchtime_lily_mae_martin

nights_lily_mae_martin

tuesday_lily_mae_martin

heat_lily_mae_martin

aprilnight_lily_mae_martin

morning_lily_mae_martin

july27_lily_mae_martin

DunnyCan_lily_mae_martin

2016

humpdayselfie_lilymaemartin

jan3_lily_mae_martin

thirtythree_lily_mae_martin
I completely hate this one!

haircut_lily_mae_martin

ag_lilymaemartin

identity_lily_mae_martin

body-lilymaemartin

t2_lily_mae_martin

t1_lily_mae_martin

dinnertimeselfie_lily_mae_martin

sp_lily_mae_martin

And trust me, this is not all of them and there will be more to come!
I am really proud of my work.

New painting

33weeks_lmmartin
I just finished a new painting – 33 weeks. This painting is oil on board, I did it very differently to how I have previously painted and enjoyed it immensely.

I’ve posted some of the developmental sketches and the beginnings of this painting: here.

What is different about this is it is from life and from memory. I did a sitting with the model and developed most of this painting with the sketches and my memory from that sitting. I took some photos for a buffer – but I in no way relied on the photographs like I have in previous works.