Artworks for sale

Hello there – I have a number of artworks that are framed and avalible for sale at Scott Livesey Galleries in Melbourne. I thought I’d put together a post with their details and if you are interested please contact the gallery on T: +61 3 9824 7770 or email at INFO@SCOTTLIVESEYGALLERIES.COM

First up, the landscapes
Haunted – 56 x 76cm, ink on paper, 2017

Waterloo State Forest, View From Back – 105 x 75cm, ink on paper, 2016

In The Gully, 56 x 76cm, ink on paper, 2016

Then – the nudes – these vary in sizes

As yet untitled, 56 x 76cm, ink on paper, 2017

As yet untitled, 56x76cm, ink on paper, 2017

Rebirth, 75 x 105cm, ink on paper, 2017

Ride, 30 x 30cm, ink on paper, 2016

Dancer, 30 x 30cm, ink on paper, 2016

There are more, if you follow this link: Lily Mae Martin at Scott Livesey Galleries

Adelaide Perry Drawing Prize 2017

I am very pleased to say that my drawing Rebirth has been selected as a finalist for the Adelaide Perry Drawing Prize for 2017 in Sydney.

This drawing is a really special one to me, in that I am really really proud of it. So I am super excited it will be showing in this prize.

Thank you to my team of people who have helped me get this ready to be gallery ready! You know who you are and you really make this so special. See, this drawing just made it into the entry – I had just finished it before the deadline and it seems as if it was meant to be. ( Well, there’s lots of work that has gone into all of this so, we made it happen! )

The full list of finalists are on the website which you can see here: Finalists for the 2017 Adelaide Perry Drawing Prize

I’ve just gotten back to work so things will be quite on this here blog because I JUST WANT TO DRAW..

In the gully – new drawing

in_the_gully_lily_mae_martin
In the gully – Waterloo state forest
By Lily Mae Martin
76 x 56cm
Ink on paper
2016

This is half the size of the other landscape I did, but I am pretty sure it took me just as long? There’s so much detail in this, the tiny bits of trees and shrubs.. So many times I felt I couldn’t do it. So many times I thought I should stop and move on but I pushed on through.
Though the news last week made me think well, what’s the fucking point? And I just stopped when it was a mere two hours work from completion.

I’ve spent the last week trying to keep my cool. Not quit all my jobs and all of my life. I think I did well. I may have eaten too much toast and bread and a whole thing of brownies – but considering the destruction I used to be capable of – I’ve really made myself proud.

I had coffee with a friend on Friday and as we were saying our goodbyes I think I was mumbling something about my drawing going down the toilet and she said she could spot all the different species in the one I was working on, and how cool it was. And just like that, the light went on and I was really excited again.

detail_in_the_gully_lily_mae_martin

So thank you, friend 🙂

Paul Guest Drawing Prize

My drawing Crawling has been shortlisted for the Paul Guest Drawing Prize. The exhibition will run from the 27th of August to the 16th of October at the Bendigo Art Gallery. Here is the link to the full list of finalists, there’s some great artists listed : LINK

crawling_lily_mae_martin

Crawling
By Lily Mae Martin
75 x 105cm
Ink on paper
2016

Studio kitty, Author and Finisher, Sanctuary and Winter Masterpieces exhibitions and haberdashery

kira_lily_mae_martin
Friday it snowed twice and kidlet had her last day of school for the term. The above photo is from Friday evening – Kira kitty exploring the studio before curling up to sleep. I love her company. When I turn off the lamps and gather my things to leave she uncurls herself, meows at me and follows me down the stairs and back into the warm house.

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Saturday morning and it’s freezing. There is ice on the footpaths and roads. I walk very slowly but purposely to the train station, this is not a good morning to not be able to find my only pair of gloves. I sleep on the train for a few hours before making it into Melbourne town. It’s coffee and art time with friends. First up is Author and Finisher at Kozminsky by Nicholas Jones. The gallery is on the second floor and the space and the art is beautiful. There’s so much loveliness to take it, it felt really special to be able to see that. It is quite a sizeable exhibition and we were lucky to have Nicholas there to talk to us about making of particular pieces, the stories behind them and the practical sides of things like printing and framing.
bookart_lily_mae_martin

Then I went to the NGV to see the Degas exhibition. Contours feature so strongly in his works, they were so lovely to see up close. I found the famous ballet pieces charming but my favs for me were one off portraits of a peasant woman and a large bather rendered in pastel, and of course – the dead fox in the undergrowth.
foxdegas_lily_mae_martin

Lastly I go to see Becc Ország’s exhibition, Sanctuary, at Nicholas Projects. Beautiful drawings rendered in graphite, with delicate additions of gold leaf.The largest piece in the show really stood out for me, The Source of All Things ( Birth of The Rivers ) – it added a whole new experience to the drawings as a whole. Very dreamlike and making me recall magical places I have visited in my life; coastlines of Italy and Snowdonia in Wales.

Then it was onto collecting things for three little girls who are turning six soon. I stumbled into the haberdasher, l’uccello, in the Nicolas Buidling and it was such a visual treat. What a day.

luccello_lily_mae_martin

Here are the links to the galleries and artists mentioned, as well as a review written by Esther Anatolitis on Nicholas Jones’ exhibition. Have a click and get down to see these if you’re in Melbourne CBD soon.

NICHOLAS JONES: AUTHOR AND FINISHER by Esther Anatolitis

Nicholas Jones

Kozminsky

Edgar Degas NGV

Becc Ország

Nicholas Projects

l’uccello

Under Skin, Under Earth – A Tribute

under_skin_under_earth_lily_mae_martin
Under Skin, Under Earth. Ink on paper, 56 x 76cm , 2016

My Grandmother died a few days before I finished this drawing, it has been so hard to finish.

This begun as an experiment, which is the best part of not having a deadline – experimentation. I want to find ways to explore mortality – all the life and death lessons I have experienced over the last couple of years. I thought I would write about them – but that doesn’t feel like the right to do for me.

I’ve tried drawing people’s objects and painting still lives of flowers, while they were fun to do, they were not enough. I’ve been road tripping and sitting and reading and sketching and photographing and I get inklings of things and then I moved towards other things. I’ll get there, I’ll find it.

When I was a teenager, I spoke to Grandmother on the phone and she had asked me about my drawing. She always asked me about my drawing. When I told her I wasn’t doing that anymore she told me that I was being silly/ stupid/ ridiculous – one of those words, all of which I was deserving. I was such an angry teenager and was putting all that anger into being destructive towards myself instead of being constructive. Anyway, she said I was being silly/ stupid/ ridiculous – that I have a gift. I shouldn’t waste it.

So I’ve been trying not to waste it. I’ve had busy hands for a number of years now. In my early twenties I was making toys, she showed me how to make a simply teddy out of felt. I made a pirate one and Grandma examined it, said I was clever but I make repulsive things. I was really proud.I’ve been trying to make things that I think she would be interested in, my art has run the gamut of angst to art school to hyper sexualized to general interest and exploration of body to telling life stories. The kind of stories that Grandma’s would be interested in. It pains me that when our minds and experience become so rich, our bodies begin to age and fail.

Grandma passed away on Monday evening, I looked up the clock face of the Melbourne Town Hall around the time she left. When I got the texts and the calls and found out what time I remember this moment.. I wonder of it is connected. But maybe that’s just what we all do, try to find meaning in things and maybe there isn’t any meaning.

We are all so temporary. It’s heartbreaking.

News~

Morning Song, ink on paper, 76 x 56cm , 2016

Morning Song, ink on paper, 76 x 56cm , 2016

Hallo!
I am really pleased to say that my drawing Morning Song has been shortlisted for the Rick Amor drawing prize and my drawing Wrestling Three has been shortlisted for the National Works on Paper prize.
These are both really amazing exhibitions and I am really, really proud of the work that I have going into these exhibitions.

The Rick Amor opens July 9th at the Art Gallery of Ballarat and the National Works on Paper Prize opens 16th of July at the Mornington Peninsula Regional Gallery.

Hope you can make it down to see the works while they are on display. Good luck to all the shortlisted artists!

 Wrestling three, ink on paper, 75 x 105cm, 2015

Wrestling three, ink on paper, 75 x 105cm, 2015

One Hour Drawings

salt_pepper_kitties_lily_mae_martin Grandma’s salt and pepper kitties

Over the last week I have been back in my studio, I begun a drawing that I think will take me about three months to complete. It’s new and something I have wanted to explore for a while, yet wasn’t ready – until now. Also this week I pushed myself back into drawing from life. I have slacked off a bit with that. So I set myself one hour for each of these drawings, and pushed myself to get as much as I could on the page to a timer.

tetris_kitchen_lily_mae_martin Tetris Kitchen

elephant_ear_lily_mae_martin Elephant ears plant

table_stuff_lily_mae_martin Table Stuff

phallic_banana_lily_mae_martin Phallic Banana

Seriously – how phallic is it!
see

nose_dive_lily_mae_martin Nose Dive

The last one is a drawing of a bird that I found this morning. I was walking past a hospital and saw something fall to the ground from my peripheral – it made a noise when it landed that made me turn. I thought it dead but when I looked closer I saw it’s tiny body breathing, little black eyes blinking at me. So I called wildlife rescue and while giving my location details, so a rescuer could come and collect the bird, it opened it’s beak up super wide and then it just stopped. Last breath. It blinked no more. So I told the lady on the other end and she asked that I could at least move it so people wouldn’t step on it, which I did. And then I drew it. What a strange thing to witness but at least I was there in it’s final moments so it didn’t get stepped on.

Launch of New Drawings

lmm

The launch of my New Drawings and Darren McDonald’s Something Worth Fighting For at Scott Livesey Galleries last night was wonderful. Both exhibitions were opened by Scott Livesey and Dr Sarah Engledow, from the National Portrait Gallery. Sarah said that the three things women hate about their bodies are toes, bellies and body hair – which feature heavily in my works. She said she had never seen so many toes and that after looking at the works she began to look at her fellow humans with more sympathy. I was really touched by her words.

All photos are by Gene.

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eric

sands

mug

nandb

crowdshot

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Thank you to everyone who came and spread the word about the exhibition. It is on until the 24th of February. All works are for sale.
Scott Livesey Galleries – 909A High Street, Armadale Melbourne