Almost the new year

Hello. It’s nearly the end of December which means it’s going to be 2020 super soon.

Doesn’t that blow your mind?

I’m already tired of seeing all the round ups of 2019, especially the best ofs for the past decade which are all bias towards the last few years of this decade and see I am going to start ranting about it again ūüėõ

No lists here, not really a round up either but I guess I can’t help but being reflective at this time of year. More things shifted this year and that’s part of growing up, which we’re always doing – we have no choice.

I did a project where I started with reading and research, followed by site visits and being gifted with time and knowledge from some local historians. Which is very different from my usual approach to artmaking. I’ve been focusing solely on production for many years now. ( A response to certain events, which I have more of a handle on ) and while I was helping offload many large, unsold artworks from the back of a truck last week I thought I don’t need to do this anymore.¬†

I take a lot of pride in being told that I am productive and prolific. You have no idea how much of a kick I get out of being acknowledged for those things. Part of me thinks phew! I’m not a loser. Well, phew – they can see me. I still plan on being those things, I can’t not not be making in someway. I just think it is time for me to do more reading, more research. And while I’ve been exploring black and white and tonal values for like 15 years now – it’s time to complicate things with colours. Maybe. I’m not sure yet as I am still exploring and doing less of the sharing for now.

Drawing, large scale drawing and foreshortening are things I enjoy but I think I’m needing an extra challenge. You know I feel with having an art practice there is so little room to experiment these days. I think social media influences that – there’s so much about marketing¬†that comes into play with a social media presence and that¬†experimentation becomes too risky. I’ve bought into that in a big way that now I feel there is something lacking in my practice. I’m addressing this.

So. That’s me, for now. There’s two exhibitions coming up for 2020, one solo in Ballarat, Victoria and another group in Melbourne. I’m still undecided if I’ll enter prizes and the like, I didn’t in 2019 and you know what it was pretty great. I see the value in them, but¬†definitely not for every year. Don’t let what you see online fool you – those things cost a lot of money for artists to enter and participate in. It isn’t a sign of success as an artist but a sign of privilege. This is not a dig at fellow artists who do the prizes, not at all – you do what you think is best.

Here are a couple of photos that Gene Hammond-Lewis took in my studio last week, with the Kidlet as well.

 

Thank you for reading, thank you especially to everyone who has encouraged my art practice this year. Especially to Gene and my little – not so little – daughter child, A.

Stay hydrated and safe this new year – talk soon.

LMM xx