I had a title, but I have completely forgotten it. If I explained the month that I have had, it would make sense why. But the details are boring. Point is, I did the drawing and here it is. It’s part of a new little series that I am working on. I am pretty excited about the blending of my two loves into the work – body and land.
I am due to have an exhibition at the beginning of next year. So I will be off working hard to produce new works. Really excited about it.
G’Day – couldn’t write about this last week as the website was down. Thank you for the lovely fellas who fixed this! WordPress Wizards.
From 22/07/2017 to 12/08/2017 The Winter Salon is on view at Scott Livesey Galleries. It is a mixed hang of all the artists represented by the gallery. Including works by Luke Scibberas, Joshua Yeldham, Bern Emmerich, Yukultji Napangati, myself ( above artwork is in the exhibit ) and many more.
Here is an online preview of some of the works: Clicky click
I’m working towards an exhibition at the beginning of 2018 – so I will probably be quite here but probably not. I’ll be working super hard regardless – because I am really excited and feel my drawing has gotten better.
Thanks for reading!
Is something G said to me a few weeks back and it has been stuck in my mind. Especially over these last few weeks since being back, when so much life things have been happening and I have had to get very creative about getting myself time and space to draw. A lot of the time I worry that I can’t get and never get anything done.
I’ve been scratching away at this drawing for the last almost two weeks – in between looking after a very unwell child ( poor pickle ) and supervising the Kitty and The Chooks..
It’s about A5 in size, so it is very small for me. I’m not too happy about my last drawing – I mean it just feels like it is missing some magic. So I’m busy doing the ground work – the work before the work – right now.
Little one has been ill, and I drew this of her while she was napping.. Only half way through it her temperature spiked and I rushed her to see a doctor. What happened next was only stuff that I never even dreamed of – being a parent is so glamourous – but she came good and that is what really matters.
She drew and cut out mermaids – there are like twenty of them and I am meaning to work out a way to put them altogether to keep them safe. It can be maddening how much stuff gets everywhere with little people – but finding her drawings really, really is something special.
So, the chooks. We got these girls about a fortnight ago now, I can’t believe how lucky we are.. They are 4 and 5 years old and are not seen apart. I am home a lot so they get freerange of the yard. They even put themselves to bed – why can’t children be more like chickens!? I kid, I kid..
I’ve had a burst of new ideas for an artwork, but because of Life things I can’t get to it right away, so today I thought I’d draw the girls their portraits.
That’s all from me for now — it is time to shut down and get offline while I experiment and play with ideas.
Well, that was hard!
Near Harris Reward
By Lily Mae Martin
112 x 75cm
Ink on Paper
I did another whole different drawing while trying to do this one, this one was so so so hard. It’s the largest and most dense drawing I have done ( to date )..
I really want to get back to West Coast of Tasmania, I don’t feel like I explored as much as I could have.. I didn’t get to do as much as I could. I’m trying to move things about to make it happen – but money and time do not come when you want it…if only! The Secret failed me 😛
Still I am untangling the experience and still I am scratching a little lostly ( that is probably not a word, oh well ) at paper. Behind my eyes I am back there and going for those walks through shrubs and trees with things growing off of things and I don’t know what anything is called.
Little clueless speck.
These last weeks have been on and off – Kidlet with a tempreture of almost 40, we got chickens! Gardening and cooking and baking with my lovely cousin. Life life is good though winter is not my favourite time – it is just weather and here in Oz, the cold is quite mild.
Understory – Tasmania
By Lily Mae Martin
56 x 76cm
Ink on paper
This isn’t the first drawing I have started that was inspired by my recent stay in Western Tasmania, but it is the first to be finished. It was very hard to finish. I’m trying to let the lines speak more – keep the mark making looser. Trying not to go over and over them – render, render, render..
There are parts I feel that I have achieved this more than others, and I am very happy with the results. This is such a depareture from the starkness – the nakedness – of the nudes. There’s so much going on and yet my eyes are lulled into the movement of light and dark. Having the same calming effect on me as listening to white noise. It feels, it is, a different world. And I keep dreaming about it too – behind my eyelids I am back there looking at everything growing out, on, of everything. A branch falls and the tip stabs itself back into the soft earth, and then things grow from it. Evidence that there was movement long ago but this place just readjusted, took it back into itself. A process that took many, many years but time is different there. Everything is different there. I am different there.
Now I am in my studio but part of me still feels like it is there. I must go back to Tasmania, but in what shape that’ll take will have to be seen. It’s just time to make the work now.
Hello there – I have a number of artworks that are framed and avalible for sale at Scott Livesey Galleries in Melbourne. I thought I’d put together a post with their details and if you are interested please contact the gallery on T: +61 3 9824 7770 or email at INFO@SCOTTLIVESEYGALLERIES.COM
Then – the nudes – these vary in sizes
There are more, if you follow this link: Lily Mae Martin at Scott Livesey Galleries
Well, the beginning of the year I saw a clean slate and I was both excited and deeply depressed about this. 2016 was a very successful year in terms of exhibitions and building up momentum.
I’ve moved things about so I work full time hours, with bits taken out for school drop off and pick up and cuddles and gardening and cooking. The I work into the evenings Monday to Friday. I’m finding that since I broke my laptop – and have this hear clunky desk top – online stuff isn’t taking over my life as much. And I feel like I have more time, or maybe that’s just the mental clear out – either way, I feel so much better.
My drawing board situation is that there are four pieces coming together, there are more that are in my mind.. I’m doing the landscape for a specific idea which I will talk about later and the nudes – I’m working on some smaller ones for a possible exhibition in future.
Just make the work.
On Saturday I went to Melbourne for the continuation of the Summer Salon exhibition at Scott Livesey Galleries ( LINK ) It’s up for the duration of February so get down and check it out, I have four pieces on display – a landscape, two small nudes and one large nude ( pictured)
In the morning I got to the James Makin Gallery to see Godwin Bradbeer’s Episodes Then & Now exhibition –LINK. It’s on until February 25th and you should totally go see it.
There’s a large retrospective of his work coming up in March – Stigma and Enigma so I hope to make that – it is indeed a different experience to see work IRL than just online.. I think people forget that.
I also wanted to get down to see LAURA curated by my friend Sophia Hewson – but I ran out of time!!!! *cries* So if you’re in Melbourne make sure you go and see it – LINK
Now, that is a very full and lush post and I better get back to it.
AND my tomato plants have flourished and I’ve been eating them, which is the best.
Rebirth is a meditation on the identity shifts that occur in a woman after the
act of giving birth.
Birth is a physical experience that may be simultaneously extraordinary and
traumatic. Motherhood is central to a traditional understanding of female
identity; at the same time, the physical implications and complications of birth
work in direct opposition to contemporary female beauty standards that play a
role in reinforcing those same social roles and responsibilities.
The woman in this drawing kneels naked, but it is not a pose of submission.
She leans forward as if poised to stand, her hands gripping her thighs. The
face, usually the primary source of emotional expression, is hidden, giving the
naked body space to speak. The woman’s breasts and stomach draw the
viewer’s focus, representations of both sexuality and motherhood and the
complicated relationship between the two. The scarring across her belly,
incurred from a pregnancy injury and usually hidden from sight, recalls
physical distress and trauma, but also speaks to experience, knowledge,
strength and resilience.
Here are some pictures of the work in progress:
So this is my final piece for 2016! What a year it has been. I have a whole lot of things planned for 2017 – experiments and a residency and new small works.
Thank you to everyone for your interest and support and sharing my work.
All the best for 2017