The enemy is in your bed

 

The enemy is in your bed – pencil sketch, A6, 2023.

I thought a light leaded pencil best for something which this title – subtle and heavy.

The title came to me a while ago, before I could work out how to make a drawing for it.

The medium and execution speak to vulnerability, the focus being the throat – one of the most vulnerable places of our body. (Prosody). This is a reflection on those being the closest to us can often be the worst for us; unsafe. I noticed this when I was young but didn’t yet have the words for. This is a both personal and universal experience.

Art for me is powerful – it moves with me through life, communicates, resonates, and gives me a voice when it has been taken away.

 

Sketchbooks sketchy sketch

Well hello. Again, it has been a long time. I’ve been trying to sort out life and getting into the rhythm of my ever changing routines. I left one job and have started a new one, it’s really fantastic to be working and studying – I am doing different things and learning so much. Sometimes I feel very overwhelmed but don’t we all.

Art has been going well, a little different but I’ve had some very nice things occur for me this year. That is for another post as I wanted to make this one about – SKECTHING and saying hello.

It is very nice to be skecthing again. I thought I’d take on a big painting project this year but I couldn’t afford my studio space and my new home has no space for paint. See I like the toxic stuff so I am not doing it in the house. Why not use the non toxic stuff you say, because I think it’s shite and if there is one area of my life that I have control over – it is this. I lost the sketching knack for a bit there, had to endure months and months of producing rubbish. Now I feel good and am training my eye again. I hope the next body of drawings I do a way better than what has gone before. Which is important to me in my practice, which I know I have banged on about before.

SO lockdown five for us, I am still working as I am an essential worker these days. What a time hey. I am really trying to get as much experience as I can and do my best.

What I can manage now are the skecthes and they are helping rebuild my confidence. Yes I have lost a lot of that, wah wah but here’s to continuously  trying to claw myself out of the dark with pen and paper.

 

 

 

 

 

 

See you super soon and I hope you are eating plenty of veggies.

 

 

COVID19 Diary entry #2 – more pictures and words in isolation

I thought I’d try and write weekly, just to keep up some kind of practice during this time. A lot of people have said to me that I would get heaps of art made in this time. I’m sorry people, but I’ve got an almost ten year old to home school, among other things.

Look, I am making things, just not the things I should be making. But I believe all creativity speaks to, informs and folds back into itself. I also believe that sometimes there are bigger things to attend to, and this is one of those sometimes with bigger things. The days that I don’t want to, or rather, cannot reach out to a pencil, pen or brush – I don’t. The days that I do and all that comes out is rubbish, I accept. The days when I have the energy and the drive to make pictures, I just bloody well do it. Unless there’s lesson to assist the kid through, lunch to prepare and dinner to work out.
What’s for dinner? 

I don’t mind, most days. I mean, if I love you I feed you. I feel really happy making food that my family and I enjoy together. I do resent it sometimes and yesterday I cracked, I ordered in. Noodles. It cost me almost 50 bucks though and do you know how many food supplies I could have got with that money? How many books I could buy? I won’t do it again but I had just sold an artwork and it is ok to celebrate, sometimes. 50 bucks, for one meal. I know that businesses are suffering, everyone is. I am cautious, for the most part.

Books are the one thing that I tend to indulge in. Daughter and I have a reading ritual and it is pretty much one of the best things in life. Gosh we have read so much already. I slip between non fiction, fiction, crime fiction, short books and longer ones. I don’t want to read the internet, it is depressing and screens do not great things to my mind. Plus it is too tempting to look at rubbish that just makes me spiral. I don’t need to spiral right now.

Anyway I am between watercolouring and sketching in my visual diary. I planned to write a lot more today but I am going to tuck back into my current read – The Yield by Tara June Winch. I’m half way but I already recommend that you should read it too.

Here are some recents, I’ll write soon.

Be safe and be kind. Read a book.

x

COVID19 Diary entry #1 – Art in Isolation

What a time we are in.

I started a new job this year, a job that I absolutely love, and it’s on hold – as is much of the rest of life at the moment. We three are at home and have been for a number of weeks now. We take it day by day – some days are really tricky. There’s emotions and uncertainty and boredom and grief. This time is so hard on kids. We older people ( who are really just bigger, saggier, hairier children ) are trying to act like we have control and try and keep things normal but at night I wake up and just think

I’m not cut out for this, I’m not cut out for this, I am not cut out for this. 

To fill out the hours of our days Kidlet and I have enjoyed many craft projects. We’ve put bears in our windows for kids who walk by. We’ve made an easter display of bunnies, bunny ears, chickens and eggs. We’ve made puppets of ourselves and furntiure to go with them. I am pretty pleased that I have a well stocked craft supply. Though, we have gone through a lot of it in this last week 😀

 

I also started a series of watercolours of Australian animals for my daughter. We talked about their diets and habitats. That was nice to do because there is no pressure and it was something that brought joy to us.

We all need a bit of joy right now.

 

I’m also keeping a sketchbook, but I’m not saying to myself to do a drawing a day or even every week because there’s already enough pressure and we have to look after ourselves so we can get through this, and try and be productive when and if we can.

There’s others but they are wither scanned in badly or drawn badly.

I’ll write more soon as there is more to add, however we are navigating online learning for the kid and it is, well, it is interesting!

I hope you are all keeping well in mind, body and spirit.

xx

Overburden – exhibition

Open Cut – Black Hill, By Lily Mae Martin, 1380 x 760 cm, ink on cotton paper, 2019

Hello! My exhibition is all coming together – I worked on this all last year and it is really exciting to be able to share this information with you all now. I will write more over the coming weeks and months about the process. Here is a little more about it –

 

Eureka Centre Ballarat presents ‘Overburden’, an exhibition of recent drawings by Lily Mae Martin, from 3 February to 2 August 2020. An exhibition opening will be held on Thursday 13 February 2020 at 6pm. Everyone is welcome to attend.

‘Overburden’ addresses the legacy of Gold Rush mining and explore our relationship with, and perception of, the natural world. Through close observation of the landscape around Ballarat, Lily Mae has uncovered evidence of past catastrophic environmental exploitation and destruction caused by mining during the Victorian Gold Rush.

These recent drawings are the result of a year of focussed research and site visits throughout the Ballarat region. Through walking and drawing, Lily Mae began to understand how the landscape had become heavily impacted by mining and transformed by earthworks – abandoned mine shafts, mullock heaps, and the abundant evidence of sludge that once clogged water systems. She also discovered areas where mining had occurred that seemed almost entirely reclaimed by nature.

These drawings have their genesis in on-site sketches that were further developed in her studio resulting in exquisitely detailed pen and ink drawings. Her use of black and white brings to her drawing a strong metaphoric association with truth-telling. Through her close observation of nature and her dedicated act of drawing Lily Mae aims to strip away nature’s veneer of regeneration, bringing traces of environmental degradation to the fore and revealing the past trauma lurking under the surface of the land.

Lily Mae describes the inspiration and impetus for the project:

‘Overburden’ is a collection of work about how mining the earth for gold has permanently altered and reshaped the physical landscape. So much about history is about the human story – but we so rarely ask about the stories of the land. What about the environment in which we live; what do we value and what do we throw away? What do we put in museums and what is left on private farms, in state forests? Now more than ever, it seems all the more urgent to notice what we don’t notice.”

Lily Mae Martin is represented by Scott Livesey Galleries scottliveseygalleries

Eureka Centre Ballarat is a cultural facility of the City of Ballarat

 

birthday party

Hello there neglected blog and website,

What a time it has been. Things have been challenging and it’s easy to get negative about it and give up, but I don’t want to do that.

So instead of getting lost in all that I just wanted to share a little watercolour I did, I’m going to paint a whole lot of things in colour for my lounge room. Gene built beautiful book shelves in there this year and as I went to hang things in there I stopped myself and though no, no we need colour! 

I really want to work in oils, but not yet. I will get there. I just want to work in the home at the moment. Watching nailed it with kiddo or when waiting for things to cook/ wash/ dry/ etc.

It’s important to hold onto the little and beautiful moments in life, of which there are many if you just look.

 

Little drawings – update soon

Hello!

I’ve been working very hard and yes my website needs to be updated with more recent works. I want you to know that that is happening, it’s just I’ve a deadline looming and I need to get a tremendous amount done before I can do things like fiddle around with websites etc. But it will happen and then I will be able to show you the work I’ve been making over this past year.

In the meantime I thought I’d share a few drawings I’ve done but aren’t part of my coming show. Oh and sketches too because I like them.

Be well!

Salmon Rocks, West Cape Gippsland.

More to come about this very special part of the world.

 

Alice, a gift for a dear friend.

 

Dear hearts – school holidays

From the sketchbook – sketching J sketching

 

V/Line sketches – man sleeping

 

V/Line sketches – train!

 

A gift for another dear friend.

More soon!

 

Elucidate exhibition opening

Thank you so much to everyone who came down to celebrate and look at art on Saturday. I didn’t stop talking for the whole time! I’m really thankful to everyone, I know a lot traveled some distance and juggling things like work, family, babies – toddlers!

Thank you, thank you, thank you.

Thank you to Scott, Sophie and Amanda for everything!

Thank you Gene for the photos and the apple crumble and – everything!

Eluciate runs until Saturday the 17th of August. I will be in each Saturday as well as some other days during the week if I can manage it.

Scott Livesey Galleries – 909A High Street, Armadale, Melbourne.

Here is an online preview of the work ELUCIDATE 

 

 

 

 

xx